A repousse gilt bronze figure of White Tara, Mongolia, circa…
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A repousse gilt bronze figure of White Tara, Mongolia, circa 1800, seated in dhyanasana on a double lotus throne, her right hand lowered in varada mudra and her left raised in vitarka mudra, two removable sprays of lotus flanking her shoulders, wearing an ankle length dhoti with incised border and a trailing shawl, and adorned with elaborate jewellery inset with turquoise beads, her hands, feet and urna painted with eyes, the face with serene expression, and hair drawn into a high chignon set with a removable lotus-bed tiara, the base sealed and incised with a double vajra, 25.5 cm high

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  • Embossed / Repousse - Embossing, also known as repousse, is the technique of decorating metal with raised designs, by pressing or beating out the design from the reverse side of the object.It is the opposite of chasing, where the decoration is applied from the front. An embossed or repoussed object may have chasing applied to finish off the design.
  • Incised - A record of a name, date or inscription, or a decoration scratched into a surface, usually of a glass or ceramic item with a blunt instrument to make a coarse indentation. Compare with engraving where the surface is cut with a sharp instrument such as a metal needle or rotating tool to achieve a fine indentation.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.

    The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.

    It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.

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