A 19th century Sevres jardiniere, decorated with a hand painted…
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A 19th century Sevres jardiniere, decorated with a hand painted panel depicting a romantic couple within a gilded and 'jewelled' border upon a bleu celeste ground, diameter 19.5 cm.

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  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
  • Bleu Celeste - "Bleu céleste" is a French term that translates to "sky blue" in English, and it refers to a specific shade of blue pigment used in the decoration of porcelain. This color is a light, sky-blue shade that was often used in combination with other colors to create intricate designs on porcelain pieces. The use of "bleu céleste" was was first used by the Sèvres porcelain factory in the 18th century, and became popular in the 19th century. The colour is created by adding copper oxide to the glaze. It was valued for its ability to add a touch of lightness and delicacy to porcelain designs. The color was often used to create floral motifs, landscapes, and other decorative elements, and it was prized for its ability to evoke feelings of calmness and serenity.
  • Jewelled Decoration - Jewelled decoration on ceramics is a technique where small, colourful, and often metallic beads or "jewels" are applied to the surface of ceramic objects to create intricate and highly decorative designs. This technique has been used throughout history and across different cultures, but it was particularly popular during the late 19th and early 20th centuries, especially in Europe.

    The jewelled decoration is usually applied by hand, one bead at a time, onto a base glaze or enamel. The beads can be made of glass, porcelain, or even precious stones, and are often set in a metal setting, such as gold or silver. The end result is a highly decorative and often luxurious surface, which can add a lot of visual interest and value to the ceramic object.

    Jewelled decoration was used on a wide range of ceramic objects, including vases, plates, bowls, and figurines. It was particularly popular in the Art Nouveau and Art Deco periods, where it was used to create highly stylized and ornate designs.

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