Probably late 18th century Chelsea Derby lobed dish with…
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Probably late 18th century Chelsea Derby lobed dish with central urn laurel wreath band, soft paste body and decorated with four portraits, centralised urn and small insects including beetle, condition Good- some slight rubbing to paint, some slight scratches etc but overall good, size width 26 cm height 4 cm depth 19.5 cm

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  • Laurel Leaf - The use of the laurel leaf as a decorative element can be traced back to ancient Greece and Rome, where it was closely associated with victory and honour. In these cultures, the laurel was a sacred tree that was dedicated to the god Apollo and was believed to have protective and healing properties.

    In ancient Greece, the laurel wreath was awarded to victors in athletic competitions, such as the Olympic Games, as a symbol of their achievement. The wreath was also associated with academic achievement, and was often worn by scholars and poets. The Greeks also used the laurel leaf as a symbol of victory in war, and it was often depicted in artwork alongside images of triumphant warriors and heroes.

    The Romans continued this tradition, and the laurel wreath became a symbol of the highest military honor, the triumph, awarded to victorious generals. The wreath was also used to crown emperors and other important officials, and was often depicted in Roman art and architecture as a symbol of power and authority.

    The laurel leaf is still used as a symbol of achievement, success, and excellence, and is frequently used in logos, emblems, and other branding materials. Its association with victory and honour has made it a popular choice for awards, medals, and other forms of recognition.
  • Soft Paste Porcelain - Porcelain is an ancient ceramic material, first made in China, hence the common name "china", and the process was unknown in the West.

    European potters attempted to replicate Chinese porcelain, without knowing the ingredients in its composition, and the earliest wares were produced with mixtures of clay and ground-up glass (frit), the idea being that the glass would give the porcelain translucency.

    It was given the name "soft" because it did not remain rigid, but "slumped" when fired in the kiln at high temperatures.

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