A pair of Georgian style mahogany side chairs in the…
click the photo to enlarge
A pair of Georgian style mahogany side chairs in the 'Chippendale' manner, late 19th century, each with a serpentine top-rail above a pierced vasiform splat and upholstered seat, on square-section supports with pierced spandrels, the back variously moulded and carved in relief, the front supports with blind fretwork, 96 cm high, 57 cm wide, 58 cm deep

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Fretwork - Pierced intricate decorative patterns, cut with a fine saw and generally found around the galleries of desk tops, open-hanging shelves and small tables.

    In open fret, the timber is completely pierced, giving an appearance of great lightness and delicacy.

    With blind fret, as seen in Chinoiserie styles of Chippendale, the fretwork is applied like a moulding to a solid panel.
  • Splat - The central back support between the top rail and the seat in chairs and couches. They may take a variety of forms, and run either horizontally or vertically.
  • Serpentine - Resembling a serpent, in the form of an elongated 'S'. A serpentine front is similar to a bow front, except that the curve is shallow at each end, swelling towards the middle. The term presumably derives from its similarity to a moving snake or serpent. Serpentine fronts are usually veneered, with the carcase either being cut and shaped from a solid piece of timber, or built in the 'brick' method.
  • Pierced Decoration - Ornamental woodwork with part of the background cut through and removed to produce an open-work pattern.
  • Mahogany - Mahogany is a dense, close grained red-coloured timber from the West Indies and Central America. It was first imported into Europe in the the early 18th century and its use continued through the 19th century. It was popular for furniture making because of its strength, the wide boards available, the distinctive grain on some boards, termed flame mahogany and the rich warm colour of the timber when it was polished.. The "flame" was produced where a limb grew out from the trunk of the tree, and this timber was usually sliced into veneers for feature panels on doors, backs and cornices.

    Some terms used to describe mahogany relate to the country from which it originally came, such as "Cuban" mahogany, "Honduras" mahogany etc. However unless the wood has been tested the names assigned are more a selling feature, rather than a true indication of the timber's origin.
  • Georgian - As an English stylistic period, Georgian is usually taken to cover the period from George I (1714) to the Regency of Prince George (1811-20), although the period from 1800 to 1830 is sometimes designated as the Regency period. During the Georgian period the great English cabinetmakers and designers such as Chippendale, Hepplewhite, Adam Sheraton etc., were all active.

    Therefore there isn't a single 'Georgian style' as such and to say something is 'Georgian', usually means it was made between 1714 and 1830. This assumes we discount George V and George VI, both being from the 20th century.

    The styles popular at the time of each reign were:

    George I (1714-1727) saw out the last years of the Baroque period.

    George II (1727-1760) reigned during the Rococo period.

    George III (1760-1820) saw the last gasp of the Rococo, all of the early Neo-Classic 'Adam style' and most of the later neo-Classic 'Regency style'.

    George IV (Prince Regent 1820-1830)encompassed the last of the 'Regency' style.

    William IV's reign (1830-1837) was something of a no man's land (stylistically) and he wasn't a 'George' anyway. He covered the last glimmerings of 'Regency' and the start of the 'Victorian' style.

This item has been included into following indexes:

Visually similar items

A 19th century ash and elm stick back rocking chair, the back with two levels of turned sticks, the woven rush seat raised on turned legs and stretchers

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Georgian style elbow chair, 19th century, the carved pierced central splat and scrolled arms above a brown drop in leather seat, 93 cm high

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A pair of Portuguese mahogany elbow chairs, mid 18th century, the carved top rail and waisted frame enclosing a pierced vase shaped splat, with scrolling arms above drop in seat on cabriole legs, claw and ball feet joined by stretchers, 62 cm wide, 56 cm d

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A 9ct. rose gold diamond and marcasite dress ring, the diamond form mount set with small round brilliant cut diamonds, the centre set with five round brilliant cut diamonds and four facet cut marcasite stones

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.