Katana Echizen Seki with full Higo mounts, c 1658 with papers…
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Katana Echizen Seki with full Higo mounts, c 1658 with papers early Kanbun: Shinto period (1658-1683) katana, mumei (shortened tang), 66.3 cm nagasa (cutting edge), 3 mm mihaba, 8 mm sori. Flawless blade with koitame hada (tight wood grain pattern forging), notare-midare hamon (temper line), yahazu-ha majiri (mixed pattern). Typical Kanbun period reduced curvature blade, attributed by Fujishiro kanteisho to Echizen Seki school. Attractive and rare full Higo mounts including matching umabari, all very good quality, and slant ridged pattern lacquer to saya. Menuki of shakudo, depicting butterflies with gold inlay. This sword has a kanteisho (appraisal certificate) from Matsuo Fujishiro. He was accorded Living National treasure status as a sword polisher who also appraised swords and issued kanteisho where they met his standards. His elder brother Yoshio wrote the standard two volume reference text Nihon Toko Jiten published in 1935, which Matsuo revised after his brother's death. A Fujishiro kanteisho is highly respected in Japan.

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  • Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
  • Shakudo - Japanese shakudo is a traditional alloy that has been used in Japan for centuries. It is primarily composed of copper and gold, with the copper serving as the base metal and the gold adding a yellowish hue to the alloy. Shakudo is known for its beautiful dark blue-black or black colour, which is achieved through the addition of a small amount of a patina-inducing element like silver or arsenic.

    The word "shakudo" itself can be translated as "red copper" in Japanese, referring to the reddish-brown color of the pure copper base metal before it is patinated. The gold content in shakudo is usually around 4-10%, but this can vary depending on the specific purpose or desired appearance.

    Shakudo has been traditionally used in various forms of decorative arts and crafts in Japan. It is particularly associated with metalwork, including sword fittings (such as tsuba, menuki, and kashira), jewelry, and small ornamental objects. The alloy's dark color provides a striking contrast to other metals like silver or gold, making it ideal for intricate inlay work or as a background for other decorative elements.

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