Four Chinese monochrome vessels 17th-19th centuries, consisting…
click the photo to enlarge
Four Chinese monochrome vessels 17th-19th centuries, consisting of a vase of pouch form, covered in a thick yellowish-brown glaze with a broad guan-type crackle (18th/19th century), a pair of vases in yuhuchunping form with a white glaze with a ge-tye crackle (19th century), and a small bowl with blue exterior and brown dressing to the rim (17th century), the largest 15.5 cm high, 11 cm diameter. Provenance: The yellow vase purchased in Melbourne, 1958., the pair of vases purchased from Dr G.F.S. Davies, Melbourne, 1956., the bowl from 'The Hatcher Cargo', purchased from Moon Gate, Singapore, 1987.

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Monochrome / Monochromatic - A painting or drawing finished in a single colour, or in different shades of a single color.
  • Crackling and Crackle as a Decorative Technique - Crackle, also known as crackling, is a decorative technique that has been used in China for centuries. It is believed to have originated during the Song Dynasty (960?1279 AD) and was primarily used in the production of ceramics, lacquerware, and furniture. The crackling effect was achieved by applying a glaze or lacquer that was formulated to crack during firing, creating a crackled pattern on the surface of the item.

    During the Ming Dynasty (1368?1644 AD), crackle became a highly sought-after decorative technique, and it was used to create intricate and beautiful designs on ceramics and lacquer ware.

    In Western decorative arts, crackle / crackling came into use during the Art Nouveau movement in the late 19th and early 20th century. The crackling effect was used to create a sense of movement and fluidity in the design of Art Nouveau pieces.

    It was also used in the 1920s and 1930s during the Art Deco movement.
  • Crackles / Cracquelure - In ceramics, crackles may be introduced intentionally during the firing process, as was often the case with Oriental ceramics, and are known as artificial crackles. Natural crackles occur with age, and if the glaze is transparent, may be difficult to detect. Natural crackles may not cover the whole surface of the object and may be uneven in size.

This item has been included into following indexes:

Visually similar items

A collection of snuff bottles, 20th century, comprising a yellow ground enamel bottle with bronzed stopper, an agate coloured glass bottle with turquoise stopper, a spotted agate snuff bottle depicting figures with bats in a landscape with an agate stopper

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

John Crichton, rare turned kauri pestle and mortar, original label affixed to the base (repaired). Diameter 18 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A celadon dish and bowl, the large shallow bowl 37.5 cm diameter with provenance notes stating Ming 15th century, Ex collection of Atjeh Tonkin. The smalled bowl with provenance notes stating early Ming possibly Sawankalok, 17 cm diameter, (2)

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A French Solifleur glass vase, circa late 19th to early 20th century, with indistinct signature, possibly Legras, the large solifleur vase with a low sheen textured finish and having a mottled amethyst brown and orange decor to the bulbous base, pulled and

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.