A soft paste porcelain figural chamber stick attributed to the…
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A soft paste porcelain figural chamber stick attributed to the Longton, hall factory, 1755-60, a draped and seated cupid figure holding a basket of flowers within a bocage bower and decorated in enamel colours above a moulded base, height 24.5 cm

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  • Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
  • Soft Paste Porcelain - Porcelain is an ancient ceramic material, first made in China, hence the common name "china", and the process was unknown in the West.

    European potters attempted to replicate Chinese porcelain, without knowing the ingredients in its composition, and the earliest wares were produced with mixtures of clay and ground-up glass (frit), the idea being that the glass would give the porcelain translucency.

    It was given the name "soft" because it did not remain rigid, but "slumped" when fired in the kiln at high temperatures.
  • Bocage - The name given to floral and leaf decoration usually surrounding the main subject in ceramic figures and groups, commonly on 18th century porcelain from the Derby, Bow and Minton works.
  • Cupid Motif - The Cupid motif, which features the Roman god of love and desire, Cupid, was a popular decorative element in classical ornamentation. Cupid was often depicted as a winged, naked baby with a bow and arrow, and was often used to symbolize love and desire.

    In classical art and architecture, Cupid motifs were often used as decorative elements on furniture, such as on the legs of chairs and tables, as well as on architectural elements such as friezes and pediments. They were also used as decorative elements in frescoes, mosaics, and other forms of art.

    During the Renaissance, Cupid motifs were often incorporated into the decoration of palaces, churches and other grand buildings, as they were seen as symbols of love and fertility. Cupid motifs were also commonly used in the decorative arts of the Baroque period, often appearing in the form of putti, which are small winged cherub figures.

    In addition to their decorative use, Cupid motifs were also believed to hold symbolic meaning, as they were thought to evoke feelings of love, desire, and fertility.

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