A French ormolu jewel box with a signed miniature, 19th century,…
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A French ormolu jewel box with a signed miniature, 19th century, the cartouche shaped box with engine turned and neoclassical stiff leaf borders, the engine turned lid dotted with myriad stars centred with a faintly signed portrait medallion of a woman in 18th century dress, with applied motifs and thread and ribbon twist borders, the interior lined in red velvet, height 4 cm, length 13 cm, width 9.5 cm

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  • Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.
  • Engine Turned - Engine turning is a decorative technique used on metal surfaces to create intricate curving or geometric pattern. The process involves cutting a series of lines into the surface of the metal using a rose engine or decoration lathe which rotates the metal as it cuts, allowing the operator to create a repeating pattern that covers the entire surface. The resulting surface has a shimmering, reflective quality that is often described as "engine turned." Where an engine turned item has been enamelled, the term used to describe the decoration is usually guilloche.

    Engine turning was originally developed to decorate metal objects such as firearms, scientific instruments, and other metal objects that required precise and elegant design.
  • Cartouche - An ornamental panel in the form of of a shield, oval or rectangular scroll with curling edges. It may be carved into the back of a chair or the top of a sideboard, or present on a piece of silver or jewellery, and contain the initials of the original owner, heraldic symbols, or some other inscription, such as the details of a presentation.

    In ceramics the term defines the central area of a vase or similar with a decorative border in one of the shapes above, into which a decorative scene or figures have been painted.

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