A Rene Lalique 'Perruches' bowl, designed 1931, the shallow…
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A Rene Lalique 'Perruches' bowl, designed 1931, the shallow ovoid body moulded with a continuous design depicting parakeets perched amongst blossoming branches, in frosted, clear and opalescent glass, etched 'R. Lalique France, 24.5 cm diameter. Provenance: Deceased Estates et al, Dalia Stanley & Company, Sydney, 18 February 1996, lot 80, Mr Hans Mueller and Mrs Gertrud Mueller, Sydney, acquired from the above. Literature: Felix Marcilhac, R. Lalique, Catalogue Raisonne De L'Oeuvre de Verre, Editions de l'Amateur, Paris, 2004, no. 419, p. 302 (illustrated, another example)

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  • Opalescent / Opaline - The descriptions of glass as "opalescent" or "opaline" are often used interchangeably by dealers and auction houses. At the upper end of the scale, opalescent / opaline glass can refer to the opal-like milky blue glass produced by Lalique and Etling. It also refers to the pressed glass mass produced in Britain from the 1840s with a milky white edge as sugar-basins, milk jugs and vases were made in great quantities for the mass market, and were sold at fairs along with Staffordshire figures and wooden dolls. A less common type of opalescent glass was made from two layers of glass blown into a mould.
  • Oviform /ovoid - The outline loosely resembling the shape of an egg.
  • Etched - Glass decorated with an etched design, which is achieved through marking out the pattern, protecting the area that is not be etched, and then immersing the object in acid to dissolve the surface of the unprotected area. With some glass objects, such as cameo glass, there may be several layers of different coloured glass, and part of the top layer is dissolved leaving the bottom layer as the background. The longer the time of exposure of the object to acid, the deeper the etching.

    The word etching is also sometimes used to describe another method of decoration, where wheel grinders were used decorate the surface, but this technique is usually known as engraving.

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