A Louis XV style bureau plat c. 1900, standing on four slender,…
click the photo to enlarge
A Louis XV style bureau plat c. 1900, standing on four slender, ormolu mounted legs, shaped top with metal surrounds the drawers ormolu mounted, kingwood veneer, height 75 cm, length 99 cm, depth 60 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.
  • Veneers - Veneers are thin sheets of well-figured timber that are glued under pressure to the surface of a cheaper timber for decorative effect, and then used in the making of carcase furniture.

    Early veneers were saw-cut so were relatively thick, (up to 2 mm) but is was realised that saw cutting was wasteful, as timber to the equivilent of the thickness of the saw was lot on each cut.

    A more efficient method was devised to slice the timber, either horizontally with a knife, or in a rotary lathe.

    Flame veneer, commonly found in mahogany or cedar furniture, is cut from the junction of the branches and main trunk. So-called fiddleback veneers, where the grain is crossed by a series of pronounced darker lines, is usually cut from the outer sections of the tree trunk.

    During the 17th and 18th centuries, and in much of the walnut marquetry furniture made during the latter part of the 19th century, the veneer was laid in quarters, each of the same grain, so that one half of the surface was the mirror image of the other.

    The use of veneer allows many other decorative effects to be employed, including stringing, feather banding, cross banding, and inlaid decorative panels in the piece. The carcase over which veneer is laid is usually of cheaper timber such as pine, oak or, sometimes in Australia during the first half of the 19th century, red cedar.

    The important thing to remember about veneers is that prior to about 1850 they were cut by hand, and were consequently quite thick - ranging up to about 2mm deep.

    From the mid-19th century veneers were cut by machines and were almost wafer-thin. This is a critical point when trying to judge the approximate age of veneered furniture.

This item has been included into following indexes:

Visually similar items

Burr walnut occasional table 19th century raised on cabriole legs. Height 75.5 width 95 cm. Depth 69.5 cm. Provenance: Collection of Margot Montgomery

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

An impressive Australian large console serving table in the manner of Thomas Chippendale by de Groot in red cedar, burl huon, the cross banded top with canted corners above finely fret carved scrolling wave frieze fronted central long and two short drawers

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A fine George III pale mahogany sofa table, English, early 19th century, with the rare feature of a fully- fitted interior and a rising top, 73 cm high, 155 cm wide, 70 cm deep

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A fine cast iron jardiniere stand in the Gothic revival style, French, 19th century. 88 cm high, 140 cm diameter, 65 cm deep

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.