A Bohemian glass 'Oil spot' bowl with Decor in the manner of…
click the photo to enlarge
A Bohemian glass 'Oil spot' bowl with decor in the manner of Loetz 'Creta Papillon', circa 1900, the green glass bowl with a collapsed tricorn rim with a ruffled edge, with an iridescent silver blue oil spot decor throughout, with a polished pontil, height 14.5 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Manner of .... / Style of ..... - A cataloguing term where the item, in the opinion of the cataloguer is a work in the style of the artist, craftsman or designer, possibly of a later period.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Decor Bois - "Decor bois" is a French term that translates to "wood decor" in English. It refers to decorative elements painted on porcelain items that simulate decorations in timber, such as carvings.
  • Irridescent Glass - Iridescent glass has a shimmering or rainbow-like appearance due to the way it reflects light. It is created by applying a thin layer of metal oxides to the surface of the glass while it is still hot and malleable, which then creates an interference effect that produces a range of colours as the light reflects off the surface. The exact colours and patterns created by iridescent glass depend on the specific types of metal oxides used and the techniques used to apply them.

    Iridescent glass was first developed in the late 19th century, and quickly became popular for use in decorative art glass and stained glass windows. Some of the most famous examples of iridescent glass were created by artists such as Louis Comfort Tiffany and his studio, who used it extensively in their distinctive lamps, vases, and other decorative objects.

  • Pontil Mark - A pontil mark, also known as a pontil scar, is a distinctive mark or scar found on the base of certain types of glass. It is a remnant of the glassblowing process and is particularly associated with handcrafted items made prior to the widespread use of automated manufacturing.

    The pontil mark is created during the final stages of production. After the glassblower has shaped and formed the glass object, it is removed from the blowing iron. At this point, the glass object is often attached to a solid rod called a pontil rod or punty for further shaping, finishing, or attaching additional components. The attachment point is typically at the base of the object.

    Once the glass item is complete, it is detached from the pontil rod, leaving behind a mark or scar on the base. This mark can take various forms, such as a rough or irregular surface, a concave or slightly recessed area, or a small circular scar. The presence of a pontil mark indicates that the item was handcrafted rather than mass-produced.

    Collectors and historians often use pontil marks as clues to determine the age, authenticity, and production methods of glass or ceramic pieces. Different types of pontil marks may suggest different techniques used in the production process. For example, an open pontil mark is one where the scar is left as an exposed, roughened area, while a closed pontil mark occurs when the scar is smoothed or covered in some way. It's important to note that not all handcrafted glass items have pontil marks, as some artisans developed alternative methods for finishing their work. In Edwardian times the pontil mark was oftern ground off leaving a concave circle in the centre of the base of the object.

    The use of pontil marks diminished with the advent of industrialization and automated manufacturing processes in the 19th and 20th centuries.

This item has been included into following indexes:

Visually similar items

A Loetz 'Astartig' glass vase, Introduced 1904, the barrel shaped vase with a gently waisted neck and a 'Torn' rim in a candia silberiris iridescent decor with small pinches and notches to the body, with polished pontil, height 14 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Castle Harris Flannel flower vase of ovoid ball form with seven applied flowers, signed 'Castle Harris' to the base. Condition good, minor loss to one petal, crazing & age related wear. Height 15 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Royal Doulton Titanian vase, Young Long Eared Owl', stamped mark to base, signed H. Allen, small flakes to base. Height 15.5 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

John Campbell green & brown drip glaze vase of honeypot bulbous form with a ribber body, etched '59 John Campbell Tasmania'. Condition good, expected age related wear & crazing, minor paint chips to the rim. Height 14 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.