A sterling silver snuff box, of rectangular form. Engine turned…
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A sterling silver snuff box, of rectangular form. engine turned decoration with engraved initial 'E.B'. Applied scroll and floral thumb piece. gilded interior. Hallmarked: Birmingham 1951. Maker: D. Brothers.

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  • Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
  • Engine Turned - Engine turning is a decorative technique used on metal surfaces to create intricate curving or geometric pattern. The process involves cutting a series of lines into the surface of the metal using a rose engine or decoration lathe which rotates the metal as it cuts, allowing the operator to create a repeating pattern that covers the entire surface. The resulting surface has a shimmering, reflective quality that is often described as "engine turned." Where an engine turned item has been enamelled, the term used to describe the decoration is usually guilloche.

    Engine turning was originally developed to decorate metal objects such as firearms, scientific instruments, and other metal objects that required precise and elegant design.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

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