A fine set of six walnut Chippendale chairs and two carvers,…
click the photo to enlarge
A fine set of six walnut Chippendale chairs and two carvers, circa 1750?s, each with shaped and scrolled cresting rails, a pierced splat and side rails with restrained carved floral motifs, seating rails with drop, and cabriole legs with floral carved knees and hairy paw feet; the drop in seats upholstered in a watermelon and cream stripe, the carvers in a complementary pink fabric with a circular motif. Height 99 cm. Width 65 cm. Depth 66 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Paw Feet - A paw foot is a base of a furniture leg that resembles the paw of an animal, such as a lion or bear. It is a decorative feature that is often seen in traditional furniture designs, particularly in styles such as Chippendale, Queen Anne, and Georgian. A paw foot typically consists of a carved or moulded ball or disk at the bottom of the leg, which is then carved or shaped to resemble the toes or claws of an animal. The foot may be smooth or textured, depending on the design, and may be finished in a variety of materials, such as wood, metal, or even marble.

    Paw feet are often used on heavier pieces of furniture, such as chests, tables, and chairs, to provide additional stability and support. They are also used as a decorative element, adding a touch of elegance and sophistication to the overall design.

    "Hairy paw feet" is a term used to describe a variation of the foot design that features a carved or sculpted animal paw, such as a lion or bear, with hair or fur details. The hair or fur details were often carved in a realistic manner and added to the overall decorative effect of the furniture. Hairy paw feet were commonly found on furniture items such as tables, chairs, and cabinets and were popular in the 18th century.  

  • Drop in Seat - Mostly used on Regency upright chairs, a drop in (or "drop on") seat is an unsprung removable seat where the upholstery is attached to a wooden frame, which is held in place by the sides of the chair, and usually a wooden peg at the front of the chair. An inset upholstered seat is of the same construction, but it sits within a frame whose perimeter includes four sides of the chair.

    Because the upholstery frame was not very deep, the seats were relatively uncomfortable. In the mid 19th century coiled upholstery springs came into use and frame of the chair was used as the upholstery frame, making for a much more comfortable and responsive seat.

    This type of seat was known as an over-upholstered or over-stuffed seat.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Splat - The central back support between the top rail and the seat in chairs and couches. They may take a variety of forms, and run either horizontally or vertically.
  • Pierced Decoration - Ornamental woodwork with part of the background cut through and removed to produce an open-work pattern.
  • Cresting - The decorative carving at the top of a piece of furniture, such as a sideboard back, a mirror, or a chair back.
  • Cabriole Leg - The cabriole leg evolved from an elongated scroll, curving out at the knee which may or may not be carved, and forming a serpentine shape as it descends to the foot.

    First introduced into English furniture in the late 17th century, cabriole legs were widely used during the Queen Anne and early Georgian periods, where they frequently terminated in a pad foot or ball and claw foot. The style has had many imitators since then. The cabriole leg was re-introduced in the mid-19th century, and is commonly associated with the balloon-back dining or drawing-room chairs made in walnut, mahogany or, in Australia, cedar. The Victorian cabriole leg, on the whole, was rather more slender than the earlier form, following the French style, which emphasized the delicacy and daintiness of the chairs they were designed to support. Cabriole legs are sometimes found on windsor chairs, especially those made during the 18th century.

This item has been included into following indexes:

Visually similar items

A pair of Chippendale revival mahogany carvers, early 20th century, the ribbon back chairs with undulating crests and a splat of gothic style knots and a quatrefoil cut out motif, shaped arms to square form seats and curvaceous legs terminating in ball and

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Two fine Georgian Chippendale mahogany elbow chairs. Late 18th century, each with a fine patina and of generous proportions with serpentine and winged cresting rails, with pierced vasiform splats, curvaceous arms to square form drop in seats, and square fo

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Two fine Georgian mahogany elbow chairs. Early 19th century. Both of generous proportions, one in the Chippendale Gothic taste with a pierced floriform splat and the other with a unadorned shaped splat, both with serpentine cresting rails, curvaceous arms

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Two Georgian mahogany chairs, early 19th century, the square back chairs each with a serpentine cresting rail a pierced sheaf splat and trefoil piercing, having a drop in seat and supported on tapering square form legs with 'H' form stretchers; upholstered

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.