This site contains only a limited number of works of art sold in Australia and New Zealand, and is not representative of the art market for any artist. For a comprehensive art database visit our specialist site, Australian Art Sales Digest which includes over 400,000 works auctioned in Australia and New Zealand by over 30,000 artists, covering the period from the early 1970s to the present day.

You can reduce the number of items displayed by entering a keyword that must be included in the description of the item.

These items are not for sale and the descriptions, images and prices are for reference purposes only.
If you are seeking to purchase similar items CLICK HERE to view 15 similar items being offered for sale by dealers at our AntiquesPlus site.

Livingstone (Hop) Hopkins, (1846-1927), Self portrait (head study) 1894 + Self portrait (full figure) + one other Excodus 34:20 (3), etchings late impressions ed. 1/25, one signed and dated in plate, 15 x 10 cm (2) 5 x 4 cm

George Marler, (1879-1960), evening in N.W, etching, signed with estate stamp, 14 x 19.2 cm

Pamela Anne Griffith, (b.1943), first of August - Wattle day, Handcoloured etching ed. 24/40, signed lower right, 61.5 x 45 cm

Pamela Anne Griffith, (b.1943), Bush harvest, etching ed. 21/40, signed lower right, 50.5 x 60 cm

Alexander Francis Lydon, (1836-1897) English, after, Lesser lemon crested cockatoo, colour wood engraving by Benjamin Fawcett, 22 x 15 cm

Charles Blackman (Australia, 1928- ), 'The Cats Garden', artist proof coloured lithograph, signed 'Charles Blackman' lower right and titled lower centre, numbered lower left 108/175. 68 x 97.5 cm.

A gilt framed copperplate engraving, entrance to the loggia at the Vatican, after the original by Raphael Sanzio d'Urbino (1483-1520), published in Rome between 1772 and 1777, after drawings by Cai (Gaetano) Savorelli (fl. 1750-1775) and architect Pet.

A pair of gilt framed copperplate engravings, fresco designs for the Vatican, after the originals by Raphael Sanzio d'Urbino (1483-1520) published in Rome between 1772 and 1777, engraver John Ottavini (1738-1808), after drawings by Cai Savorelli (fl.1750-1

A pair of gilt framed copperplate engravings, fresco designs for the Vatican, after the originals by Raphael Sanzio d'Urbino (1483-1520) published in Rome between 1772 and 1777, engraver John Ottavini (1738-1808), after drawings by Cai Savorelli (fl.17

A set of twelve hand-coloured steel engravings, English, circa 1845, published in London for 'China Illustrated, frame 40.5 x 47 cm

A set of four framed engravings of birds, English, 19th century, 15 cm high, 8.5 cm wide

After Captain Walance, North and South head's in Port Jackson, NSW, coloured engraving by W Preston, 21.5 cm high, 25.5 cm wide

Two engravings of Sydney Harbour, 21.5 cm high, 25.5 cm wide (each)

A framed hand coloured copper engraving, view of Sydney. Linder, 1816, 15.5 cm wide, 32 cm high

A pair of coloured engravings of scenes from the Book of Esther. In elaborate eglomise mounts, 78 x 61 cm

Born, Ernest (USA 1898-1992) 'Frankfort Street, Nyc,' 1930. Lithograph 28 x 22 cm

17th century equestrian Themed engravings. 5 plates from 'Methode et Invention Nouvelle de dresser Les Chevaux,' by William Cavendish, pub. J. Van Muers, c.1658. Plates 10,25,36 & 38 (2). Copper engravings (5)39 x 53 cm (each)

Samuel Douglas Smith Huyghue (1815-1891), The Government Camp, Ballarat 1854, Troops Arriving From Melbourne, Engraving [F.W.Niven & Co.], 13 x 20 cm

David G. Rankin (1946-) ‘Four Rocks’, hand coloured etching 37/50, signed lower right, 49 x 32 cm

Donald Friend (1915-89) ‘;Emu’, etching 17/40, signed lower right, 21 x 29.5 cm

Ernest Edwin Abbott (1888-1973) ‘The Distant Range, etching, signed in pencil lower right, 18.5cm x 28.5cm

Pio Carlone (1939-) ‘;Above Circular Quay’, lithograph 211/999, signed lower right, 45 x 59.5 cm

Alison Green, Cape Barren Geese, screen print on linen, limited ed, 1/ 8, signed lower right, 94cm x 105cm (frame) approx

Clifton Ernest Pugh (1924-90), ‘Leda & the emu’, hand coloured lithograph, signed in pencil lower right, 18/25, 35cm x 50cm approx.

Norman Lindsay (1879-1969) ‘Donna Juana’ 1934, etching 7/55, signed in pencil lower right below image, 30cm x 24.5cm

An English Merry-Making In Olden Time, 19th century engraving, houn pine frame, Frame 82 x 114 cm

A large huon pine framed etching titled 'Doctor Johnson Rescuing Oliver Goldsmith From His Landlady', Frame 73 x 82 cm

A set of 4 decorated portrait etchings in matching set of huon pine frames, circa 1850, Frames 38 x 33 cm each

A blackwood framed etching titled 'Pity' by H. Le Jeune, 19th century, Frame 78 x 85 cm

A large huon pine framed etching title 'The Play Ground' by T. Webster R.A. mid 19th century, Frame 75 x 119 cm

A large Colonial musk framed engraving titled 'An English Merry-Making In The Olden Time' by W.B. Frith A.R.A. circa 1860, Frame 80 x 112 cm

An impressive houn pine framed engraving titled 'Royal Cortege in Windsor Park' by R.B. Davis, 19th century, Frame 74 x 99 cm

A huon pine framed engraving titled 'Fetching The Doctor', 19th century, Frame 73 x 83 cm

Huon pine framed engraving titled 'The Frown' by T. Webster R.A. 19th century, Frame 52 x 73 cm

Two 19th century Colonial huon pine picture frames with antique engravings, 38 x 34 cm and 44.5 x 38 cm

C.Stanfield R.A., The Battle Of Trafalgar, engraving, huon pine frame, Frame 52 x 69 cm

Jem Ward's picture of the great Fight between Tom Sayers & J.C.Heenan, at Farnborough April 17th 1860 for the Championship of England & America', lithograph print, framed, overall 105x75 cm.

Clarice Marjoribanks Beckett, (1887-1935), The Boatsheds, lithograph, No. 46/75, paper embossed 'Clarice Beckett Images', 45cm x 67cm approx

Donald Friend, 1915-89, Self Portrait etching AP, signed lower right, 29cm by 22cm,

Salvador Dali, (1904-1989) Spanish, the spinning man (from Historia de Don Quichotte de la Mancha suite) 1981, colour etching aquatint, ed. 134/300, signed lower right, 40 x 44.3 cm