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Vladimir Tretchikoff print, original print in frame, South Africa, c 1970s

Sidney Nolan, lithograph from the River Kwai Series 13/99, approx 80 cm x 60 cm

Mervyn Smith 'Newcastle' (Artist's Proof) silk screen print, signed lower right, 60 x 80cm

Lionel Lindsay 'Spanish Scene' etching, signed lower left, 23 x 20cm

George Whinnen 'Australian Gums' etching 3/60, signed lower right, 20 x 25cm

Coloured engraving, View of Endeavour River on the Coast of New Holland, after Rennoldson

Joseph Choate, (act.c.1939-1941), the little Quad - St Peters College 1942, etching ed. A/P, signed & dated lower right, 18 x 20 cm

Fassett Burnett, (b. 1932) New Zealand er, Herekino 1986, Silkscreen ed. AP, signed lower right, 49 x 38 cm

Day & Son, pub. The Mansion house, 1863, illustrated in the wedding at Windsor, colour lithograph plate 8, 21.5 x 29.5 cm

Douglas Fieldew Pratt, (1900-1972), the Roadside Pool, etching ed. 38/75, signed lower right, 18 x 25 cm

Theophile Alexandre Steinlen, 1859-1923, Retour de Permission + Gares + Calvaire serbe (3), each lithograph ed. EA, 195/400, 88/100, signed lower right (2), each signed in plate, 32.7 x 29.4 cm, 29 x 25 cm, 28 x 44.5 cm

Helen Eager (1952-) Precipice No. 1, lithograph, signed and dated lower right, edition 2/12, 15 x 22 cm, Provenance: Artarmon Galleries, Artarmon

Sydney Ure Smith (1887-1949) 'Old Fisherman's, House Windsor', etching, 33/50, signed lower right and initialed upper left, 12 x 16.5 cm, Provenance: The Sedon Galleries, Melbourne

Sydney Ure Smith (1887-1949) 'Cottage Clarendon', etching, 32/50, signed lower right, 13 x 13 cm

Sheila Sharp, 'Three', aluminium plate etching, edition 6/10, signed lower right, 7 x 7 cm

Elioth Gruner (1882-1939) 'The Cascade', dry point etching, signed lower left, 16.5 x 12.5 cm, with Elioth Gruner, 'The texture of Light' exhibition catalogue 2014, Provenance: Artarmon Galleries, Artarmon 2013

John James Audubon (American, 1785-1851), 'Mallard Duck', chromolithograph by J Bien, visible paper size, 63 cm high, 94 cm wide. Provenance, The Schuster Gallery London from 'Audubon's Birds of America' Catalogue - Item 33

John James Audubon (American, 1785-1851), 'Mallard Egret', chromolithograph by J Bien, visible paper size, 63 cm high, 91 cm wide. Provenance, The Schuster Gallery London from 'Audubon's Birds of America' Catalogue - Item 64

Hugh David Sawrey, (1923-1999), first Time round 1976, Silkscreen ed. 158/200, signed & dated lower right, 47 x 56.5 cm

Sydney Ure Smith, (1887-1949), old Government house, Windsor, etching ed. 23-50 proof, signed lower right, 10 x 15.5 cm

Annelise Wiebkin, Rockhopper Penguin on Kelp 2011, Handcoloured linocut ed. 3/10, signed & dated lower right, 15 x 15 cm

Malcolm Helsby, (1900-), the Railway station from Bank Street, Adelaide 1929 + Lamb Building, Inner temple London 1926 (2), each etching ed. 8/60, 12/55, each signed & dated lower right, 31 x 18 cm, 20 x 9.5 cm

John Charles Goodchild, (1898-1980) Britain, Australia, Adelphi Arches, lithograph ed. 3/18, signed lower right, 26 x 35.5 cm

John Charles Goodchild, (1898-1980) Britain, Australia, the Spit, Sydney 1922, etching, 26.8 x 31 cm

George Marler, (1879-1960), the Conservatorium, etching, signed lower right, 15.5 x 22.7 cm

John Charles Goodchild, (1898 - 1980) Britain, Australia, St Peters Cathedral, Adelaide + St Peter's Cathedral, Adelaide (interior) (2), each etching ed. No.20/50, 22/40, each signed lower right, 15 x 18 cm, 18 x 16.3 cm

Gilbert Thomas Meredith Roach, (1895 - 1972) Australia, red Gums, etching ed. 16, signed lower right, 13.5 x 17 cm

Maxwell Christopher Richard Ragless, (1901-1981), Adelaide Observatory, etching ed. 5/25, signed lower centre, 16 x 11.5 cm

Charles George Bannon, (1919-1993), horses on a beach, Linocut ed. 4/20, signed lower right, 25 x 31 cm

John Charles Goodchild, (1898-1980) Britain, Australia, portrait of James Ashton, etching ed. No. 16/80, signed lower right, 20.5 x 16.5 cm

Gilbert Thomas Meredith Roach, (1895 -1972), the white Road + seven Poplars (2), each etching ed. 18/25, 10/25, each signed lower right, 12.5 x 17 cm, 10 x 13.5 cm

HENRY G. WALKER 'St Paul's From Fleet Street' etching, signed lower right, 26 x 15cm

A pair of English gilt framed steel engravings, depicting children playing, 22 cm x 27 cm (oval including frame)

Peter Hickey (1943-) '1st November' 27/30, etching, signed in pencil lower right, 38cm x 42cm

Peter Hickey (1943-) Forest Landscape A/P, etching, signed in pencil lower right, 50cm x 30cm

Peter Hickey (1943-), River Landscape 4/35, etching, signed in pencil lower right, 30cm x 49cm

Wendy Merrington 'Sydney Glimpses'&'Sydney Moments, screenprints 35/199 & 75/188, signed and inscribed in pencil lower right, 19 x 31.5 cm

Nelsons Last Signal Trafalgar lithograph, approx 43 cm x 60c cm

David Boyd, (1924-2011), song of the Sky 1998 from the suite Reconciliation, an Australian Odyssey, etching, 19 x 25 cm

After Picasso, mother and child 1963, colour lithograph, signed and dated upper left, in plate, 51 x 38 cm

Livingstone (Hop) Hopkins, (1846-1927), Self portrait (head study) 1894 + Self portrait (full figure) + one other Excodus 34:20 (3), etchings late impressions ed. 1/25, one signed and dated in plate, 15 x 10 cm (2) 5 x 4 cm