William Moorcroft was employed by Staffordshire pottery manufacturers James Macintyre & Co. Ltd. as a designer in 1897, and after a year he was responsible for the company's art pottery studio.
William Moorcroft created designs for the Macintyre's Aurelian Ware range of high-Victorian pottery, which had transfer-printed and enamelled decoration in bold red, blue and gold colours. He also developed the art nouveau-influenced Florian Ware which was decorated entirely by hand, with the design outlined in trailed slip using a technique known as tubelining. William Moorcroft's designs won him a gold medal at the St. Louis International Exhibition in 1904.
Each piece of pottery produced was personalised with Moorcroft's own signature or initials.
William Moorcroft and James Macintyre & Co. Ltd. split up in 1913 and Moorcroft founded his own factory nearby. Some finance came from the famous London store Liberty, and Liberty continued to exercise control over Moorcroft until 1962.
Moorcroft's reputation was further enhanced with the appointment of the Moorcroft company as Potter to HM The Queen in 1928. more...On the death of William Moorcroft in 1945, his elder son, Walter, took over management and design and he continued in this position until his retirement in 1987, after which he continued contributing to Moorcroft designs.
During the tenure of Walter Moorcroft, the Liberty store's interest in Moorcroft was purchased by Moorcroft in 1962.
In the 1980s Moorcroft got into financial difficulties as a result of rising wages and fuel, which were exacerbated by the labour intensive techniques employed by Moorcroft and the company went through several changes in ownership with the result that from 1993 the company was controlled by the Edwards family, which is still the case.
The young 24 year old designer Rachel Bishop joined Moorcroft in 1993, as only its fourth designer in almost a hundred years and her designs become immediately popular. In 1997 the Moorcroft Design Studio was formed with eight designers, and with Rachel Bishop as head designer.
Moorcroft celebrated its centenary in 1997, marking the year that William Moorcroft joined MacIntyre as its founding date, rather than the year the company was founded.
Moorcroft is still producing art pottery in its own distinctive design style, and with astute promotion and limited edition designs including Australian flora and flora, is selling more than it did in the mid-1920’s, its previous heyday.
57 item(s) found:
These items are not for sale and the descriptions, images and prices are for reference purposes only.
Sally Tuffin for Moorcroft Pottery, Vase, c. 1990, Finches' pattern, decorated with pomegranate, berries and finches against a green and blue ground, painted monogram of William J. Moorcroft, impressed 'Moorcroft, Made in England, height 24 cm. Pro
A Moorcroft 'Banksia' vase, 1987 and after, designed by Sally Tuffin, the compressed ovoid vase raised on a low footrim and with a small waisted neck, tubelined and decorated with green textured flowers and characteristic prickly long leaves upon a
Sally Tuffin for Moorcroft, vase, c. 1990, 'Finches' pattern, of squat form, decorated with pomegranate, berries and finches against a blue ground, painted monogram of William J. Moorcroft, impressed 'Moorcroft, Made in England, height 20.5 cm.
A large Moorcroft limited edition Australiana vase, 'Tasmanian Blue Gum' pattern, designed by Sally Tuffin, circa 1992, of baluster form decorated with flowering gum nuts amongst gum leaves on a blue ground, impressed factory mark, made for E.A. Jo
Moorcroft 'Grapevine' vase by Sally Tuffin made exclusively for the Moorcroft collectors' club issued in 1987. the tendrils of the vine form the characters MCC87, with the 'Moorcroft Collectors' club' stamp to the base & original paper label. Condition goo
Moorcroft 'Rainforest' vase by Sally Tuffin signed in green 'J. Moorcroft', 'S.T Des', dated '12.7.93', numbered 133/150 with impressed marks. Condition excellent to good, some very slight crazing. Height 40.5 cm
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