In 1903 Liberty & Co. released a range of high quality pewter under the name "Tudric". Apart from its interesting Art Nouveau Celtic inspired designs, Tudric pewter differed from other pewter as it had a high silver content. Much of it was designed by Archibald Knox, whose services Liberty & Co. had engaged from 1898 onwards. It was produced for Liberty by William Haseler of Birmingham. See also: Liberty & Co.
Learn about Pewter
Pewter is an alloy of tin hardened with small amounts of other metals such as copper, lead, zinc, antimony and sometimes silver. The craft of pewtering started in antiquity - the earliest known item, a flask dating from c1450 BC, was found in Egypt.
Pewter is believed to have been introduced to Britain by the Romans, who exploited the main source of tin in Europe at the time, which was in Cornwall. The craft fell into decline after the Romans withdrew from Britain but it is thought that the Cistercian monks reintroduced it after the Norman Conquest in AD 1066.
Known as "the poor man's silver", production spread throughout the country with a wide range of mainly domestic goods being made.
In the year 1348 Articles were granted to the Worshipful Company of Pewterers in London, which enabled them to control the quality of pewter. Two grades of pewter were specified, and then later a further grade was added, and these three grades were adhered to until the 20th century. more...The 15th and 16th centuries are described as the Golden Age for pewter manufacture, a time when even grand houses used pewter as well as silver for domestic use and a time which preceded the introduction of mass-produced ceramic wares, which ultimately replaced pewter, especially plates and drinking vessels.
Even then however, the average householder was too poor to replace his wooden utensils with pewter until around the middle of the 18th century. For almost a hundred years thereafter it became the material for every day utensils and commodities.
The appeal of pewter comes mainly from its good proportions and functional design. Items from the 17th and 18th centuries are obviously much rarer than those of the 19th century, which form the basis of most collections, and when collecting pewter became popular. The century culminated in the formation of The Society of Pewter Collectors in 1918, which is still operating today, under the name of the Pewter Society.
Although ceramic tableware had largely replaced pewter by this time, tankards, mugs, beakers, candlesticks, measures and numerous small personal items were still being made, and were popular in the country. . In churches it was used to make alms dishes, plates and sacramental vessels.
In the early 20th century, the popularity of pewter was revived with the introduction of the Art Nouveau styles of Liberty's Tudric range.
There are no hallmarks on pewter, although some pewter items have a touch mark, applied by a punch and which usually include the names or initials of the maker. Touch marks have no particular value apart from interest and a guide to the maker. A touch mark bears no relation to the quality of the alloy, and does not carry the same authority as the hallmarks used on gold and silver.
When a date appears as part of the touch mark it represents the year of registration of the maker with the London Guild and not the year of manufacture, so it can't be used to date the article. However, if the manufacturer is known the piece can be dated to a certain period, somewhere between the date of registration and death of the maker.
Sometimes the makers added touch marks resembling silver hallmarks, usually four in number. These faux hall marks were not recognised by The Worshipful Company of Pewterers or supported in law.
23 item(s) found:
These items are not for sale and the descriptions, images and prices are for reference purposes only.
A Tudric arts and crafts enamelled pewter jewel box, English, early 20th century, the enamel landscape plaque most likely the work of Fleetwood Varley, stamped 'Made in England, Tudric 01027', 9 cm high, 31 cm wide, 11.5 cm deep
A Tudric pewter and green glass small wine jug, possibly an Archibald Knox design, the hinged lid with raised thumbpiece, the top and base mounts with raised heart motif and floral designs, the flared circular base marked beneath with impressed number 0330
A Tudric pewter Art Nouveau vase, of circular shape with tall trumpet neck, two handles looped from mid-way on the neck and join the body in bifurcated tendrils which conjoin with an overhand knot motif. Impressed mark and No. 0214, attributed to Archibald
Two Liberty 'Tudric' pewter covered tankards, early 20th century, each with Art Nouveau low-relief decoration and cane-wrapped handles, one with blue foil-backed cabochons, stamped marks and numbers underside each. Height 15.5 cm, and slightly shorter
An English pewter (Tudric) tray designed by Archibald Knox, shaped rectangular form with bar form handles and stylised decoration to the corners. Stamped impressed marks including Solkets and model # 0376.49.5 x 31.5 cm
Archibald Knox 1864-1933 a pewter and enamel vase for Liberty & Co., circa 1902, the cylindrical shaped vase on a tripod foot, cast in low relief with sinuous stylised foliage and enamel flowers, stamped English pewter '0927' together with an Archibald Kno
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