Learn about Aboriginal Artefacts

Aboriginal art and artefact collecting goes back to early first contact times. In fact local Aboriginals around Sydney use to trade artefacts with visiting ships from the earliest days. Curio collecting has always been part of early exploration of the new world. Ceremonial adornment items that were made of perishable material were not preserved for future use and so early examples are very collectable. Early shields, clubs and boomerangs that were cherished as favourites and had developed a deep colour and patina are preferred. Historical items that were collected by early notable pioneers, explorers or anthropologists are of high interest to collectors. Some areas are collected because the artistic expression makes them more appealing when displayed. Production of artefacts has never ceased and are still made today for sale. Bark painting production started in mass in the 1950's and were sold via missionary shops. The earlier barks are more sought after. Now with many of the early artists and their roll in the maintenance of culture recognized, these barks are seen as important expressions of a past lifestyle.
13 item(s) found:

These items are not for sale and the descriptions, images and prices are for reference purposes only.

A bark painting by Rosie Karedada (born c. 1927) Wandjina figure 1970's, Provenance, painted in Kalumburu, WA, Aboriginal and Pacific Art gallery Sydney, (Gabriella Roy). Kalumburu exhibition lot, number 10. Signed "Rosie" verso, private collec

A carved and painted crocodile figure, north East Arnhem Land, circa 1970-1980; the crocodile is an important clan totem, and is often depicted in Arnhem Land bark paintings and less often in carvings such as this one. The finely pained ochre raark designs

Two old boomerangs, both with incised designs, one has a spirit figure on both sides. Provenance: Lord Alistair McAlpine (1942-2014); a British businessman, politician and author who was an advisor to Prime Minister Margaret Thatcher, he was a lifetime col

Aboriginal bird sculpture, made from iron wood, and decorated with ochre. Melvil Island. 73 cm

Tiwi Islands, tall figure 1999, Carmelina Puantulura, circa 1957 - 2006, earth pigments, coconut husk and paperbark on ironwood. Height 159 cm. Provenance: Ancient Erth Indigenous Art Cairns, QLD, 1999. Rosemary Penrose collection other notes: Collections:

An Asmat Sago bowl (Basim village, Irian Jaya) (last quarter 20th century) carved wood, natural earth pigments the oval shield like bowl, carved in low relief depicting cuscus (tree kangaroo) tail designs, interspersed with a double edged arrow and ellipti

Aboriginal statue - hardwood, feathers, ochre and human hair, area unknown

Wangarra Spirit, natural earth pigments on cottonwood Rinybuma, Margaret 132 cm high

Wangarra spirit figure, natural earth pigments on cottonwood 173 cm high. Provenance: Palya Art 1733, Maningrida Arts and Culture

Coolamon (food carrier), ovoid shape with pokerwork bands and lozenges plus a carved pokerwork snake figure. 46 x 36 cm

A Superb, New South Wales shield (La Perouse), artist unknown, of wood in rare diminutive form, the anterior decorated with pokerwork figurative motifs and a central male figure dressed for corroboree, red pigments applied, the rear with raised lug grip, s