A set of standing shelves for holding books, ornaments and whatever. The French term for this form is étagère. Georgian and Regency whatnots were usually square in form, with three or more shelves supported by finely turned spindles. There was generally a small drawer at the bottom. Some examples of red cedar whatnots have survived from colonial times. Victorian whatnots, which are rather more common, were intended to stand in a corner. Usually triangular, they have staged or graduated shelves, supported by spindles and often with a fretwork gallery at the back of each shelf. They were often made in burr walnut, sometimes inlaid. Bamboo whatnots date from the late 19th century. Usually the finials have a threaded wooden screw which fits into the matching threaded hole in column, so the units can be disassembled. Often at least one of the threads have worn, and to overcome this, the finials and columns have been glued.
190 item(s) found:
These items are not for sale and the descriptions, images and prices are for reference purposes only.
A Victorian rosewood whatnot/canterbury, with two open shelves raised on fretwork sides above a galleried canterbury base and with a drawer in the plinth, supported on turned legs terminating in white porcelain casters. 61 x 40.5 x 125 cm
A Victorian inlaid walnut whatnot, later 19th century, with a three quarter fretwork gallery, twin pierced brackets and turned supports to a lower section with a glass top above a single drawer, raised on mushroom shaped feet with porcelain casters, height
A Victorian two tier burr walnut whatnot, 19th century, of serpentine shape with an arched fretwork rear gallery, turned and relief carved supports with finials, delicate arabesque inlay and stringing, raised on toupie feet, height 59 cm, width 77 cm, dept
An Edwardian three tier walnut corner whatnot, early 20th century, the shaped tiers with boxwood and ebony inlay, a fretwork gallery to the upper tier, turned and spiral twist supports and finials upon turned ball feet, height 110 cm
A Victorian burr walnut whatnot with parquetry detail, 19th century, a fine three shelf whatnot with a three quarter fret gallery with finials, spiral carved and turned supports to a lower drawer and raised on bun and blade toupie feet with petite brass ca
A large Victorian burr walnut barley twist whatnot, 19th century, the two tier whatnot of generous form with a pierced three quarter gallery, finials, bold barley twist supports, and raised on toupie feet with petite brass casters. Height 116 cm. Width 56
A fine Sheraton Revival burr walnut whatnot canterbury, late 19th century, the canterbury with a book end veneer top and a three quarter pierced gallery, with slender turned supports to a partitioned pierced lower section and a full width drawer, raised on
A Sheraton Revival walnut whatnot, circa 1900, the four tier whatnot of typical cascading form with fretwork, twist and turned supports and raised on toupie feet, well embellished with Sheraton urns and arabesque forms in ebony and satinwood inlay to each
A Victorian walnut canterbury whatnot, circa 1860s. The well figured book end veneer top with stringing, Sheraton style floral inlay and finials, with turned supports to a tri-partitioned lower section above an inlaid single drawer, and raised on turned to
A Victorian burr walnut whatnot-canterbury, with conventional canterbury base with single frieze drawer in superstructure of a single shelf raised upon fretwork supports and with fretwork gallery to the sides and back. 58 cm x 37 cm x 89 cm
A Victorian cedar corner whatnot, second half 19th century, the five tier whatnot with shaped shelves of typical graduating waterfall form with a pierced shaped gallery, and bobbin style supports with finials. Height 138 cm. Width 61 cm. Depth 39 cm.
A Victorian walnut corner whatnot. Later 19th century, of four tier graduating form with turned and spiral carved supports, finials and fretwork, each shelf inlaid with ebony and satinwood in the Sheraton manner, raised on ball and squashed bun feet. Heigh
A Victorian burr walnut whatnot canterbury, mid 19th century, the shaped tiered whatnot of typical form with spindles, finials, ribbon twist supports and fretwork embellishments, the lower tier with pierced compartments above an apron drawer and raised on
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