A Wedgwood Etruria 'Galatea' wash basin and ewer, late 19th…
click the photo to enlarge
A Wedgwood Etruria 'Galatea' wash basin and ewer, late 19th century, the ribbed basin and ewer with a shaped bracket handle, decorated throughout with a transfer design of flowers, swags and foliage borders; with blue backstamps underside. Height 13.5 cm. Diameter 40.5 cm. (basin) height 28 cm. (jug).

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Ewer / Pitcher - A type of jug with a narrow neck bulbous body and wide spout, originally used for carrying and storing liquids such as water or wine. In medieval times they were the source of water to wash ones hands during and after a meal. later the shape was used for vessels in silver, gold, glass and ceramics.

    In Victorian times they were made in ceramics and occasionally glass with a matching basin, and sometimes other accessories such as a soap holder or toothbrush holder. Their purpose was to provide facilities for personal washing In the early 19th century were often enclosed in purpose built stands, and later resided on a washstand..

    Sometimes the words "ewer" and "pitcher" are used interchangably, but a pitcher is generally considered to be a jug, and would have a wide mouth, and a gently tapering body.
  • Floral Swag / Garland / Festoon - Floral swags are a decorative motif often used in the ornamentation of various objects, such as silverware, glassware, and furniture. The term "swag" refers to a garland or wreath of flowers, foliage, or other decorative elements, which is usually arranged in a loop or curve.

    Floral swags can be found in a variety of decorative styles, from ornate Baroque and Rococo designs to more naturalistic Art Nouveau and Art Deco styles. They are often used to add a touch of elegance, refinement, or whimsy to an object, and can be seen on a range of items from chandeliers and candlesticks to picture frames and tea sets.

    In the decoration of silver objects, floral swags are often used to accentuate the curves and lines of the piece, and to add visual interest to the surface. Similarly, on glass objects, floral swags may be used to frame or highlight a particular area of the object, or to add a touch of color and delicacy.

    On furniture, floral swags can be found on a variety of pieces, from cabinets and armoires to chairs and sofas. They are often used to enhance the lines and curves of the furniture, and can be used to create a sense of movement and flow in the design.

    Overall, floral swags are a versatile decorative element that can be adapted to a range of styles and applications, and have been used in the decoration of various objects throughout history.
  • Etruria - The Etruria Works was one of the ceramics factories opened by Josiah Wedgwood in 1769 on the Ridge House Estate in a district of Stoke-on-Trent, Staffordshire, England, which he named Etruria. The source of the name was from that given to Greek vases which at that time were thought to be from Etruria in Italy, the source of Etruscan ceramics. The factory ran for 180 years, as part of the wider Wedgwood business.
  • Transfer Printed / Decorated Transferware - Transfer printing is method of decorating ceramics, reducing the cost of decoration when compared to employing artists to paint each piece. A print was taken on transfer-paper from an engraved copperplate, covered in ink prepared with metallic oxides, and the image on the paper was then applied to the biscuit-fired ceramic body. The print was fixed by heating the object in an oven, and then glazed, sealing the picture. Early transfer prints were blue and white, as cobalt was the only colour to stand firing without blurring. Early in the 19th century advances in the composition of the transfer paper resulted in better definition and detail, and enabled engravers to combine line-engraving with stipple.

This item has been included into following indexes:

Visually similar items

Large Spode 'Tower' pattern jug, Copeland & Garret, Late Spode mark to base, 18 cm high Restoration to end of spout.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

An antique Spode earthenware milk jug, 10 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

An impressive cabbage moulded mask jug, probably later 18th century, maker not identified but in the Caughley style, a crisply moulded jug of typical bulbous form with a blue transferware design of wild roses and other flora and butterflies, unmarked, heig

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Worcester porcelain blue and white sauce boat, English, circa 1775, 8.5 cm high. Provenance: Christie's, Melbourne, 24 June 1996

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.