A Royal Worcester H261 potpourri, painted by M. Miller, with…
click the photo to enlarge
A Royal Worcester H261 potpourri, painted by M. Miller, with blackberry fruit, blossom and leaves, gilt embellished mouldings at the shoulder and a pierced gilt cover with cupola finial, raised on four gilded feet, black mark, c.1952. Height 11.5 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Finial - An architectural decoration, found on the upper parts of of an object. On furniture they are usually found on pediments, canopies and shelf supports. On smaller ceramic or silver items, such as spoons, they may decorate the top of the item itself, or the lid or cover where they provide a useful handle for removal.

    Finials have a variety of shapes and forms. They may be urn-shaped, baluster shaped round or spiral, but usually taper into an upper point. Many real life shapes may also be used as finials, such as pineapples, berries, pinecones, buds, lotus and acorns. Sometimes animals such as a lion are depicted, or fish and dolphins.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

This item has been included into following indexes:

Visually similar items

A Royal Worcester fruit painted potpourri by Roberts, small squat baluster form with pierced lid, scroll feet, gilt enrichments, signed, shape 261, c1970. Height 10.7 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Royal Worcester H279 potpourri painted by Harry Ayrton, with peaches and grapes on a mossy ground, gilt embellished mouldings at the shoulder and a pierced gilt cover with cupola finial, black mark, c.1949. Height 11.5 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Royal Worcester pot pourri, of ovoid form, the blush ivory ground ornamented with roses, openwork lid, scallopped rim, heightened in gilt, raised on four feet. Signed Mildred Hunt. Date code 1950, shape H277. Height 13.5 cm.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Royal Worcester potpourri vase, ovoid shape, raised on four sabot feet, painted with peaches and grapes by Roberts, the short neck mounted with a pierced cover with cupola finial. Shape H277. Height 13 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.