A Burmese temple Buddha image Shan Dynasty, c.18th century, of…
click the photo to enlarge
A Burmese temple Buddha image Shan Dynasty, c.18th century, of wood with gilt and black lacquer finish, seated in Dhyanasana above a double platform, the right hand is lowered to his knee in bhumisparsa mudra and his left hand rests in his lap in dhyana mudra. Provenance: From the private collection of an Australian diplomat, acquired from various posts throughout Asia in the 1980's and 1990's, original reciept of purchase Amaravadi Antique provided, dated 05/02/1994, 47 cm high

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Ming Dynasty - The Ming Dynasty was a ruling dynasty of China from 1368 to 1644. It succeeded the Yuan Dynasty and preceded the Qing Dynasty. The Ming Dynasty was established by Zhu Yuanzhang, a former Buddhist monk who became a rebel leader and eventually overthrew the Mongol Yuan Dynasty. During the Ming Dynasty, China experienced a period of relative stability and prosperity. The government was centralized and bureaucratic, with the emperor at the top of the hierarchy. The Ming Dynasty is known for its cultural achievements, including the development of porcelain, the invention of movable type printing, and the construction of the Great Wall of China.

  • Lacquered Lacquerware - Lacquer is a clear or coloured resin that is obtained from the sap of several species of trees in the genus Rhus, particularly the Rhus verniciflua tree, which is native to China and Japan. The resin is harvested by making incisions in the tree bark and collecting the sap that oozes out.

    The sap is then processed and refined through a series of steps, which may include filtration, heating, and chemical treatments. The resulting lacquer is a highly durable and glossy material that is used as a finish for furniture, musical instruments, and other objects.

    Lacquer has been used for thousands of years in Asia, where it is valued for its beauty and durability. It is applied in multiple thin layers, with each layer being allowed to dry and harden before the next one is added. The process can take several weeks or even months to complete, but the resulting finish is incredibly hard, glossy, and resistant to scratches and wear.

    The lacquer derived from the resin of the Rhus tree has been used for decoration of furniture in several countries in Asia, particularly China, Japan, Korea, and Vietnam. These countries have rich traditions of using lacquer for furniture decoration and have developed unique techniques and styles of lacquer work.

    In China, lacquer has been used for furniture decoration for over 2,000 years, and it became a major art form during the Ming (1368-1644) and Qing (1644-1912) dynasties. Chinese lacquerware is known for its intricate carving, painting, and inlay work, as well as its use of bold colours and designs. Lacquer was used to decorate furniture such as cabinets, screens, and chairs.

    In Japan, lacquer has been used for furniture decoration for over 1,000 years. Japanese lacquerware is characterized by its simplicity and elegance, and it often incorporates natural materials such as wood, bamboo, and shells. Lacquer was used to decorate furniture such as chests, cabinets, and trays.

    In Korea, lacquer has been used for furniture decoration for over a thousand years. Korean lacquerware is known for its restrained and understated beauty, and it often features delicate patterns and designs that are achieved through careful layering and carving. Lacquer was used to decorate furniture such as cabinets, chests, and screens.

    In Vietnam, lacquer has been used for furniture decoration for over 2,000 years. Vietnamese lacquerware is known for its vibrant colours and intricate designs, and it often features scenes from daily life, nature, and mythology

This item has been included into following indexes:

Visually similar items

Bali, kris holder, wood carved in the form of a demonic figure, painted dark blue with yellow highlights, 54 cm height. Literature: Donald Friend's Bali, Art Gallery of New South Walesand the Beagle press, Sydney, 1990, cat. 38, p. 20 (illus.). Exhibited:

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A very fine and rare Nepalese bronze parcel-gilt figure of Tara, 9th-10th century, the heavily bejeweled figure standing in tribhanga on a round lotus pedestal with a ring for attachment to a shrine, the right hand in varada mudra, the left in kataka mudra

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Sino-Tibetan gilt bronze figure of Amitayus, 18th/19th century, seated in dhyanasana with hands in dhyanamudra supporting a vase of fruits, wearing jewellery and dhoti, the hair drawn into a high headdress, the reverse inscribed in Tibetan script, 13.5 c

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Laos Buddha image 19th century of wood, seated in Dhyanasana on a two tier pedestal. Provenance: from the private collection of an Australian diplomat, acquired from various posts throughout Asia in the 1980's and 1990's 56 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.