Steuben Aurene Glass Vase, Circa 1910-15

• Aurene Glass - Aurene glass is an iridescent coloured glass developed by Frederick Carder (1863-1963), while working at the Steuben Glassworks in the United States. Frederick Carder was an English glassmaker who emigrated to the United States in the early 1900s. He managed the Steuben Glass Works from 1903 to 1932, including the period after it was taken over by Corning Glass in 1918. Aurene is very similar to Tiffany's favrile glass, the colour obtained by combining metal and non metal glasses, onto which a solution of stannous chloride is sprayed, giving a velvety sheen to the brown, red, gold, blue and green colours.
• Baluster (glass) - An architectural term for a column in a balustrade or staircase.
  
  When used to describe glass, it can either refer to the shape of the stem of a wine glass, being slender above and pear shaped below, or the shape of the whole vessel, usually a vase. In fact the baluster shape is often described as being vase-like.
  
  The description of a vase as being of baluster shape covers a wide variety of shapes that often bear no resemblance to the original architectural form.
• Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
• Pontil Mark - A pontil mark, also known as a pontil scar, is a distinctive mark or scar found on the base of certain types of glass. It is a remnant of the glassblowing process and is particularly associated with handcrafted items made prior to the widespread use of automated manufacturing.
  
  The pontil mark is created during the final stages of production. After the glassblower has shaped and formed the glass object, it is removed from the blowing iron. At this point, the glass object is often attached to a solid rod called a pontil rod or punty for further shaping, finishing, or attaching additional components. The attachment point is typically at the base of the object.
  
  Once the glass item is complete, it is detached from the pontil rod, leaving behind a mark or scar on the base. This mark can take various forms, such as a rough or irregular surface, a concave or slightly recessed area, or a small circular scar. The presence of a pontil mark indicates that the item was handcrafted rather than mass-produced.
  
  Collectors and historians often use pontil marks as clues to determine the age, authenticity, and production methods of glass or ceramic pieces. Different types of pontil marks may suggest different techniques used in the production process. For example, an open pontil mark is one where the scar is left as an exposed, roughened area, while a closed pontil mark occurs when the scar is smoothed or covered in some way. It's important to note that not all handcrafted glass items have pontil marks, as some artisans developed alternative methods for finishing their work. In Edwardian times the pontil mark was oftern ground off leaving a concave circle in the centre of the base of the object.
  
  The use of pontil marks diminished with the advent of industrialization and automated manufacturing processes in the 19th and 20th centuries.
  
  

This item has been included into following indexes:

• flashed - glass decoration style 80
• Steuben Glass Works (United States) - glass makers 26