A Meissen figure of a harlequin, one of a grouping of Meissen…
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A Meissen figure of a Harlequin, one of a grouping of Meissen figures based on the Italian Commedia dell'Arte, this figure of harlequin in hard-paste porcelain is painted in enamels and gilded. The crouching comedic figure wears a grey hat with a yellow rosette. He seems to be recoiling in fear or disgust against a stump. His moustachio'd face, dotted with black patches, registers revulsion. Standing on a flower encrusted base, no.259 incised to base, marked for the period 1924-34, crossed swords, approx 17 cm high

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  • Harlequin - The Harlequin is a character from the Italian commedia dell'arte, a form of theatre typified by characters wearing masks, and acting out unscripted performances. There are corresponding characters in the French and Spanish theatre.

    In dress, he is characterised by his hat, mask, and colourful diamond-pattern tunic.

    Columbine is the mistress of Harlequin, and the wife of Pierrot.
  • Incised - A record of a name, date or inscription, or a decoration scratched into a surface, usually of a glass or ceramic item with a blunt instrument to make a coarse indentation. Compare with engraving where the surface is cut with a sharp instrument such as a metal needle or rotating tool to achieve a fine indentation.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
  • Rosette - A stylised circular-shaped disk with turned or carved decoration decoration applied to a surface, or carved into the surface, especially used in ceramics, jewellery, furniture, sculpture and textiles. Also known as a boss or a paterae or patera.

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