Two Royal Worcester demitasse cabinet cups and saucers, one…
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Two Royal Worcester demitasse cabinet cups and saucers, one with cerise and gilt decoration along with hand painted floral panels by E. Phillips, date coded for 1932; the other with maroon border with raised gilding of anthemion motifs and fern tendrils.

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  • Anthemion -
    An anthemion is a classical decorative design element based on the acanthus flower that consists of a central circular or oval motif surrounded by radiating petals or leaves. It is often used as a border or frieze in architecture, furniture, and other decorative arts. The anthemion is derived from the palmette, a motif that was popular in ancient Greek and Roman art and architecture. It is often associated with the classical world and with Neoclassical style, and it is often used to add a sense of grandeur and formality to a design. The anthemion is also known as a honeysuckle or honeysuckle ornament. It continues to be used in a variety of contexts today, and it is often admired for its elegant and decorative qualities.

  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

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