Shinto Wakizashi by Yamashiro Kuni Ju Fujiwara Tsunahiro circa…
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Shinto Wakizashi by Yamashiro Kuni Ju Fujiwara Tsunahiro circa 1670, with tang signed 'Yamashiro Kuni Ju Fujiwara'. It was quite common for the owners of Japanese swords to shorten them by having a swordsmith cut down the tang to suit the owner's fighting style, which meant that parts of or even the whole original signature would be lost. in the case of this sword the last two characters are missing, but the accompanying Nbthk Kicho certificate attributes it to Yamashiro kuni ju Fujiwara Tsunahiro (Hawley Tsu 269), based on the style of the signature & the forging characteristics of the blade. the blade is shinogi-zukuri shape in full Japanese polish, showing all the features of a well made sword. the hamon (tempered area) is wavy notare pattern with distinct hakikake, nijuba and nie sake: the boshi has a strong turn back with well defined hakikake. the hada (forging grain) is tight itame-hada. This blade is a fine study piece as there are many clearly visible examples of swordmaker's skill. Tsuba is an Edo period good quality shakudo tsuba signed Yanagawa Naomasa kao depicting a large flower basket on a wheeled cart. Fuchi kashira of shakudo with gold decoration, depicting a large garden basket on a wheeled cart heaped with flowers, high quality but unsigned. Menuki are of shakudo & gold. the scabbard is ishimeji (sand) finish lacquered scabbard with kojiri fitting mountings in mint condition. the Nbthk is one of the two pre-eminent Japanese sword appreciation & authentication associations (the other is the Nthk). Both organisations accept nihonto (swords) & fittings (kodogu) at regular authentication & grading meetings called shinsa, where expert panels usually of four or five members examine, judge & grade swords meeting set standards. They issue formal certificates only if a sword or fitting is good enough. False signatures, significant damage or flaws will not pass. Certificates add authenticity & value to the sword & fittings & should always remain with them. Condition: excellent. Measurements 48 cm nagasa (cutting edge), 2.86 cm mihaba (width at the notch) & is fitted with a good two piece habaki.

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  • Shakudo - Japanese shakudo is a traditional alloy that has been used in Japan for centuries. It is primarily composed of copper and gold, with the copper serving as the base metal and the gold adding a yellowish hue to the alloy. Shakudo is known for its beautiful dark blue-black or black colour, which is achieved through the addition of a small amount of a patina-inducing element like silver or arsenic.

    The word "shakudo" itself can be translated as "red copper" in Japanese, referring to the reddish-brown color of the pure copper base metal before it is patinated. The gold content in shakudo is usually around 4-10%, but this can vary depending on the specific purpose or desired appearance.

    Shakudo has been traditionally used in various forms of decorative arts and crafts in Japan. It is particularly associated with metalwork, including sword fittings (such as tsuba, menuki, and kashira), jewelry, and small ornamental objects. The alloy's dark color provides a striking contrast to other metals like silver or gold, making it ideal for intricate inlay work or as a background for other decorative elements.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Edo Period, Japan - The Edo period in Japan lasted from 1603 to 1868. During this time, Japan was ruled by the Tokugawa shogunate, a military government led by the Tokugawa family. The Edo period is characterized by a period of relative peace, stability, and economic growth, as well as by the development of a distinctive culture and society.

    During the Edo period, the capital of Japan was moved from Kyoto to Edo (modern-day Tokyo), and the country became increasingly isolated from the rest of the world. The shogunate implemented strict policies to maintain control, including the restriction of foreign trade and travel. However, despite this isolation, the Edo period saw significant cultural and artistic development, including the emergence of the ukiyo-e woodblock print tradition, the growth of Kabuki theater, and the flourishing of a vibrant merchant culture.

    The Edo period ended with the Meiji Restoration of 1868, which saw the collapse of the shogunate and the restoration of imperial rule.
  • Manner of .... / Style of ..... - A cataloguing term where the item, in the opinion of the cataloguer is a work in the style of the artist, craftsman or designer, possibly of a later period.

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