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Michael Nicholls, My Town, linocut, signed verso, 49 x 71 cm

Cedric Emanuel (1906-1995) on the Slips 2 1942/1981 etching (blue) ed. 1/90, signed & dated lower right, 33 x 19 cm

Earle Backen (1927-2005) Pergamum I - Nyx 1977 etching ed. 11/20, signed & dated lower right, 85 x 45.5 cm

Fiona Omeenyo (b.1981) Lockhart river Lloyd Bay 1999, linocut ed. 1WOP-99, signed & dated lower right, 15 x 14 cm

John Firth Smith Myth 1990 colour etching ed. 21/50, signed & dated lower right (unframed), 31 x 52.5 cm

Vancouver, George, Capt. R.N. Carte des Iles Sandwich 1792-93-94, handcoloured engraved chart, plate #15, from a French translation of Vancouver's voyage. Paris 1800 + de Prades, A.F, after, Smith, C.N. & Meyer,H. Engravers West Australian, Winner

Malcolm bell Untitled June 1978 Silkscreen ed. 1/6, signed lower right, 65 x 51 cm

Vladimir Josif (Yosl) Bergner (b.1920) still life with coffee grinder colour lithograph ed. 220/250, signed lower right, 43 x 59 cm

Graeme Townsend (b.1954) Sturdle Maus 1979, handcoloured etching ed. Xxiv/xxv, signed & dated lower right, 690 x 49 cm

D Cowper pinxt. & F Finden engr. Othello relating His Adventures engraving, 30 x 32 cm

Gundie Kuchling red Gorge 1991, linocut colour ed. 2/10, signed & dated lower right, 25 x 35.5 cm

Terrence Millington Canal bridge colour etching ed. 61/100, signed lower right, 25 x 32.5 cm

Miles Ocean Harvester colour etching ed. 33/150, signed lower right, 40 x 40 cm

Roy Churcher morning lithograph ed. 7/15, signed lower right, 49 x 37 cm

Joan Cole 10 Lindrum Terrace 27 January 1976 colour linocut ed. 3/8, signed & dated lower right together with BE Hancocks Annemonies 1977 colour linocut ed. 2/8, signed & dated lower right, 34.5 x 27 cm, 30 x 23 cm

George French Angas (1822-1886), After JW giles lith. New Zealand illustrated, a Native Feast at Mata-Ta, throwing the spear plate XXXVI, handcoloured lithograph, 37.5 x 31 cm

C a Lesueur del., Chombard sculp. Nouvelle Hollande: Ile King Le Wombat plate XXVIII, handcoloured engraving, 24 x 32 cm

Michael Kempson (b.1961) mid-Afternoon Facade 1984 colour etching ed. A/P, signed & dated lower right, 49 x 50.3 cm

Robert Henderson Grieve (1924-2006) still life 1982 Silkscreen ed. 47/50, signed lower right, 59 x 58 cm

Gundie Kuchling opening up 1991, linocut colour ed. 3/3 first state, signed & dated lower right, 50 x 71 cm

Gundie Kuchling Oxer Lookout 1991, linocut colour ed. 1/3 first state, signed & dated lower right, 56 x 71 cm

Gundie Kuchling Hammersley Gorge 1991, linocut colour ed. 1/10, signed & dated lower right, 50 x 71 cm

Advertisements: attractive Shaw & Shrewsbury coloured lithograph stating 'Four Awards Adelaide & Melbourne Exhibition 1887', 35 x 45 cm margins heavily trimmed; 'Bell's Three Nuns Tobacco' advertisement with art work by Thorpe,

Lithographs: Good selection of cricket coloured etchings & lithographs, all mounted in coloured card for framing. Note 'Cricket at Moulsey Hurst' art work by R.Wilson (c1890 London); 'Veteran Cricketers' (John Lillywhite & H.H.Steph

L.Roy Davies: 'L.Roy Davies. Wood Engravings' edited by Lin Bloomfield (Sydney 1978) L/E: 167/184 signed by the artist. Comes with an accompanying wood engraving 'The Squall' signed by the artist (slight crease to bottom right margin). Red

David Larwill (1956-2011) Australia, lithograph, 'Waving Boy Winter', signed & numbered

1878 engraving 'The Intercolonial Sculling Championship - Messenger against Laycock - Scene on the Parramatta River', front page of ‘The Illustrated Sydney News’, window mounted, overall 43 x 55 cm

Zhou Jirong (b. 1962), Beijing No. 8 (2/15) Print-multiple, silkscreen Signed in both Chinese and English by the artist (lower right) Dated 1992 94 cm x 67 cm. Provenance: private collection NSW Zhou Jirong, born in Guizhou province, is a contemporary Chin

A huon pine framed steel engraving, 'The Parting Hour', 19th century, after Henry Corbould, illustration to an unidentified octavo publication, circa 1828-31, etching and engraving, showing a girl leaning against rocks, watching a couple standing o

A large cedar framed Victorian steel engraving, 'The Last Judgement', after the original by John Martin painted in 1853, showing The Last Judgement, with God determining the ultimate fate of the good and the wicked at the end of the world. This is

An etching of a Maori Chief by Ian A. Spencer. Height 26 cm. Width 23.8 cm

Francisco Jose de Goya Y Lucientes (1746 - 1828), Spain, etching plate 61, Volaverunt', 22 x 15.5 cm, Purchased Graphic Art Associates London,1960's for 18gns. See label verso

John Gerard Keulemans Australia. Limonphalus Montani, circa 1882 hand coloured lithograph., 30 x 21 cm

Anne Marie Graham (b.1925), Perchance to dream 1989 Silkscreen ed. 4/75 signed and dated lower right, 51 x 41 cm

Roy Fairchild Woodard (20th century), American Ecole de Ballet, colour lithograph ed. 230/300, signed lower right, 66 x 44 cm

Guiseppe Raneri Amore Mio + La Commedia de l'Amore 1988 (2), each colour silkscreen ed. 3/88, each signed and dated lower right, each, 37 x 36 cm round

Brian James Dunlop (1938-2009), Pool of Light 2, 1985 colour lithograph ed. 6/75 signed and dated lower right, 46.5 x 62.5 cm

Lloyd Frederic Rees (1895-1988), the evening star 1982 lithograph ed. 56/75 signed and dated lower right, 30 x 40 cm

Peter Hickey (b.1943), upper middle harbour 1989 colour etching ed. 34/35 signed and dated lower right, 28 x 50 cm