lithographs
This site contains only a limited number of works of art sold in Australia and New Zealand, and is not representative of the art market for any artist. For a comprehensive art database visit our specialist site, Australian Art Sales Digest which includes over 400,000 works auctioned in Australia and New Zealand by over 30,000 artists, covering the period from the early 1970s to the present day.
460 item(s) found, 101-150 shown:
Napoleon the 1st at St. Helena, taken from the Ibbetson original lithograph (pub. Manchester 1855), 315 x 432mm, Offered with magazine fragment initialed (A.M.B) from the sphere July 8, 1911, which details the provenance of this image and a number of other
'the Battle of the Nile', set of three engravings by Thomas Hellyer (executed from the original drawings by Thomas Whitcombe), published June 4 1800 by J.Bryden, Charing cross, London, all framed and glazed, each 83 x 58 cm. Occasional wormhole. Provenance
A French framed black and white steel engraving, figures in landscape 35 x 42 cm
John Charles Goodchild (1898-1980 British/Australian) Westminster Abby black and white etching 20 x 9 cm
Graham Franscella, (B.1950 England/Australia), Bending figure two panel coloured etching, signed entitled date (19)91 and numbered 10/25 in crayon lower margin overall dimensions 87 x 142 cm
After Ferdinand Bauers, Illustrationes Florae Novae Hollande, a modern folio, numbered XVIII, comprising 15 colour and 15 etched plates
After Frederick Tayler, the Otter Hunt, engraving by Frederick Stackpole, published 188071 x 99 cm, together with two engravings after Thomas F'd(3)
Norman Alfred Williams Lindsay, (Australian, 1879-1969), the Farewell, signed with initials 'N.L' lower right; bears Bloomfield Galleries certificate of authenticity (verso) pencil 54 x 57 cm
Leicester Consanguinitarium on Consanguinarium Rules and Orders, a rectangular brass plaque, engraved with rules and coat of arms dated, 1793 and a later engraving noting change of location is 1835, mounted on an oak board. Width 52 cm. Height 66 cm
After J.W.Frohawk, a group of ten prints of Marsupials coloured prints various sizes to be sold with a lithograph of a giant female kangaroo, by another hand
Lisette Cohlhagen 'Spring flowers' linocut, signed with title in pencil lower right, 45 x 35 cm
David Bromley 'Young girl with Kite' screenprint, Artist's proof, signed lower right, 73 x 54 cm
A very large composite engraving of the Mocking of Christ, after a lost work by Sir Anthony van Dyck. Paris 1625-1626. The engraving panels laid down on canvas, in an ornate ebonised and gilt wooden frame. Height 290 cm. Width 225 cm
A Watson Turnbull Thames Barges and St Pauls from the river etching signed 17.5 x 25 cm
Jaz Fitzgerald river Avon etching, signed and dated 1932
Thomas Worth (American, 1834-1917), lithographs from the racist 'Darktown' series - 'Black duck Shooting', 'A Sharp rifle' and 'A fall from Grace'; published by Currier & Ives (New York , 1882-83), all window mounted, each 50 x 40 cm. (3 items)
David Bromley, 'Children with Lighthouse', a large artists proof screen print
David Bromley, 'Boy with Lighthouse', a large artists proof screen print
Charles Nuttall (1873-1934): 'The Duke of Cornwall and York, opening of the first Commonwealth Parliament of Australia, May 9th 1901', engraving, important and rare in this condition, 1902, image size 94 x 47 cm, window mounted framed and glazed, overall 1
Handcoloured lithograph depicting a colonial caricature map of Auckland. Artist J.C.Hill. 43 x 50 cm
Diana Mogensen (1929-1994), circus figures, 1985 lithograph, edition 3/6, signed and dated lower right 36 x 28 cm
A French early 19th century engraving of Bl?cher of Waterloo Fame by J Swaine. Height 30 cm. Width 25 cm
A French 19th century engraving of Napoleon, in typical defiant standing pose. Original frame and label, circa 1820. Image. Height 37 cm. Width 28 cm
David Bromley, Who Will I Become (set of 7), silkscreen, each signed numbered and entitled each 67 x 50 cm
George French Angas lithograph, published in South Australia illustrated 1847, plate 51, hand coloured depicting scenery, a central aboriginal figure and various artefacts, 52 x 34 cm, (76 x 56 cm frame)
Max Ragless 'Summer morning' soft ground etching, signed and numbered 6/15, 26 x 31 cm
A framed lithograph of Melbourne from the Yarra 50 x 43 cm
A 19th century engraving, hallmarked sterling Pique 27 x 37 cm
A 19th century engraving view of British Fleet at the Battle of Trafalgar 18 x 16 cm approximately 18 x 16 cm
A framed engraving of the SS Great Britain launching 50 x 65 cm approx 50 x 65 cm
A framed engraving 'The city of Bristol' 30 x 65 cm approx 30 x 65 cm
Framed coloured engraving, 'Essex County hounds Going to cover'
William Kentridge, Dutch iris, coloured etching 34/50, 108 x 59 cm.
A framed lithograph 'New Zealand wild flowers', bearing the facsimilie signature Jessie brown, the selection of flowers including clematis, kowhai, hebe, pohutukawa, manuka, kaka beak, spilling from a flax woven basket. Note: the print has been trimmed to
Nigel brown engraving 'The Suicide of van Gogh', dated 1978, signed, limited edition 12/27. frame height 34.5 cm. Width 23.4 cm
A 19th century engraving, 'Windsor Forest'
Pro Hart 'Dragon Fly' a coloured etching 13/100, signed lower right, 17 x 11 cm
Max Ragless 'Bridgewater mill' trial proof etching, signed with title lower centre, 20 x 20 cm
Will Ashton 'Building with Tower' etching, signed lower right, 16 x 21 cm
Garry Shead 'Artist & Muse' etching and aquatint 21/60 , signed and title lower right, 30 x 27 cm
Harry Rosengrave 'The owl and the Bandicoot' hand coloured linocut, signed lower right, 17 x 10 cm
Large 19th century engraving of 'Nelson on board the San Joseph' in maple frame
Garry Shead 'Springwood I', a coloured etching, 16/50, signed and title lower right, 35 x 27 cm
Hans Heysen, 'Swamp Lands' etching, signed lower right 1906, 22 x 32 cm
After I. Howes, a 19th century stipple engraving of cherubs, by F. Bartolozzi, together with three Victorian polychrome engravings
David G.Rankin (1946- ), 'Brown Ridge and Dam -1', coloured screenprint, numbered '55/95', inscribed, signed and dated '84' in pencil on margin, 77 x 56 cm
Phil Greenwood: 'Claremont Park' (Surrey), etching with aquatint, signed and dated 'Greenwood '82' and numbered 116/350, framed and glazed, image size 51 x 35 cm
John stone: 'Church at San Remo - Victoria', lithograph, signed and dated lower right 'John stone 1981', framed and glazed, image size 58 x 46 cm
Arthur Merric Bloomfield Boyd (1920-99), 'Narcissus Leaning' lithograph, signed lower right and inscribed A/P in pencil on margin, 46 x 66 cm, framed and glazed
Fred Williams (1927-82) 'Across the Plains' etching, edition: 70/100, signed, titled and numbered below image, 13 x 28 cm