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HENRY G. WALKER 'St Paul's From Fleet Street' etching, signed lower right, 26 x 15cm

A pair of English gilt framed steel engravings, depicting children playing, 22 cm x 27 cm (oval including frame)

Peter Hickey (1943-) '1st November' 27/30, etching, signed in pencil lower right, 38cm x 42cm

Peter Hickey (1943-) Forest Landscape A/P, etching, signed in pencil lower right, 50cm x 30cm

Peter Hickey (1943-), River Landscape 4/35, etching, signed in pencil lower right, 30cm x 49cm

Wendy Merrington 'Sydney Glimpses'&'Sydney Moments, screenprints 35/199 & 75/188, signed and inscribed in pencil lower right, 19 x 31.5 cm

Nelsons Last Signal Trafalgar lithograph, approx 43 cm x 60c cm

David Boyd, (1924-2011), song of the Sky 1998 from the suite Reconciliation, an Australian Odyssey, etching, 19 x 25 cm

After Picasso, mother and child 1963, colour lithograph, signed and dated upper left, in plate, 51 x 38 cm

Livingstone (Hop) Hopkins, (1846-1927), Self portrait (head study) 1894 + Self portrait (full figure) + one other Excodus 34:20 (3), etchings late impressions ed. 1/25, one signed and dated in plate, 15 x 10 cm (2) 5 x 4 cm

George Marler, (1879-1960), evening in N.W, etching, signed with estate stamp, 14 x 19.2 cm

Pamela Anne Griffith, (b.1943), first of August - Wattle day, Handcoloured etching ed. 24/40, signed lower right, 61.5 x 45 cm

Pamela Anne Griffith, (b.1943), Bush harvest, etching ed. 21/40, signed lower right, 50.5 x 60 cm

Alexander Francis Lydon, (1836-1897) English, after, Lesser lemon crested cockatoo, colour wood engraving by Benjamin Fawcett, 22 x 15 cm

Charles Blackman (Australia, 1928- ), 'The Cats Garden', artist proof coloured lithograph, signed 'Charles Blackman' lower right and titled lower centre, numbered lower left 108/175. 68 x 97.5 cm.

A gilt framed copperplate engraving, entrance to the loggia at the Vatican, after the original by Raphael Sanzio d'Urbino (1483-1520), published in Rome between 1772 and 1777, after drawings by Cai (Gaetano) Savorelli (fl. 1750-1775) and architect Pet.

A pair of gilt framed copperplate engravings, fresco designs for the Vatican, after the originals by Raphael Sanzio d'Urbino (1483-1520) published in Rome between 1772 and 1777, engraver John Ottavini (1738-1808), after drawings by Cai Savorelli (fl.1750-1

A pair of gilt framed copperplate engravings, fresco designs for the Vatican, after the originals by Raphael Sanzio d'Urbino (1483-1520) published in Rome between 1772 and 1777, engraver John Ottavini (1738-1808), after drawings by Cai Savorelli (fl.17

A set of twelve hand-coloured steel engravings, English, circa 1845, published in London for 'China Illustrated, frame 40.5 x 47 cm

A set of four framed engravings of birds, English, 19th century, 15 cm high, 8.5 cm wide

After Captain Walance, North and South head's in Port Jackson, NSW, coloured engraving by W Preston, 21.5 cm high, 25.5 cm wide

Two engravings of Sydney Harbour, 21.5 cm high, 25.5 cm wide (each)

A framed hand coloured copper engraving, view of Sydney. Linder, 1816, 15.5 cm wide, 32 cm high

A pair of coloured engravings of scenes from the Book of Esther. In elaborate eglomise mounts, 78 x 61 cm

Born, Ernest (USA 1898-1992) 'Frankfort Street, Nyc,' 1930. Lithograph 28 x 22 cm

17th century equestrian Themed engravings. 5 plates from 'Methode et Invention Nouvelle de dresser Les Chevaux,' by William Cavendish, pub. J. Van Muers, c.1658. Plates 10,25,36 & 38 (2). Copper engravings (5)39 x 53 cm (each)

Samuel Douglas Smith Huyghue (1815-1891), The Government Camp, Ballarat 1854, Troops Arriving From Melbourne, Engraving [F.W.Niven & Co.], 13 x 20 cm

David G. Rankin (1946-) ‘Four Rocks’, hand coloured etching 37/50, signed lower right, 49 x 32 cm

Donald Friend (1915-89) ‘;Emu’, etching 17/40, signed lower right, 21 x 29.5 cm

Ernest Edwin Abbott (1888-1973) ‘The Distant Range, etching, signed in pencil lower right, 18.5cm x 28.5cm

Pio Carlone (1939-) ‘;Above Circular Quay’, lithograph 211/999, signed lower right, 45 x 59.5 cm

Alison Green, Cape Barren Geese, screen print on linen, limited ed, 1/ 8, signed lower right, 94cm x 105cm (frame) approx

Clifton Ernest Pugh (1924-90), ‘Leda & the emu’, hand coloured lithograph, signed in pencil lower right, 18/25, 35cm x 50cm approx.

Norman Lindsay (1879-1969) ‘Donna Juana’ 1934, etching 7/55, signed in pencil lower right below image, 30cm x 24.5cm

An English Merry-Making In Olden Time, 19th century engraving, houn pine frame, Frame 82 x 114 cm

A large huon pine framed etching titled 'Doctor Johnson Rescuing Oliver Goldsmith From His Landlady', Frame 73 x 82 cm

A set of 4 decorated portrait etchings in matching set of huon pine frames, circa 1850, Frames 38 x 33 cm each

A blackwood framed etching titled 'Pity' by H. Le Jeune, 19th century, Frame 78 x 85 cm

A large huon pine framed etching title 'The Play Ground' by T. Webster R.A. mid 19th century, Frame 75 x 119 cm

A large Colonial musk framed engraving titled 'An English Merry-Making In The Olden Time' by W.B. Frith A.R.A. circa 1860, Frame 80 x 112 cm

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