This site contains only a limited number of works of art sold in Australia and New Zealand, and is not representative of the art market for any artist. For a comprehensive art database visit our specialist site, Australian Art Sales Digest which includes over 400,000 works auctioned in Australia and New Zealand by over 30,000 artists, covering the period from the early 1970s to the present day.

You can reduce the number of items displayed by entering a keyword that must be included in the description of the item.

These items are not for sale and the descriptions, images and prices are for reference purposes only.
If you are seeking to purchase similar items CLICK HERE to view 15 similar items being offered for sale by dealers at our AntiquesPlus site.

Vladimir Tretchikoff print, original print in frame, South Africa, c 1970s

Sidney Nolan, lithograph from the River Kwai Series 13/99, approx 80 cm x 60 cm

Mervyn Smith 'Newcastle' (Artist's Proof) silk screen print, signed lower right, 60 x 80cm

Lionel Lindsay 'Spanish Scene' etching, signed lower left, 23 x 20cm

George Whinnen 'Australian Gums' etching 3/60, signed lower right, 20 x 25cm

Coloured engraving, View of Endeavour River on the Coast of New Holland, after Rennoldson

Joseph Choate, (act.c.1939-1941), the little Quad - St Peters College 1942, etching ed. A/P, signed & dated lower right, 18 x 20 cm

Fassett Burnett, (b. 1932) New Zealand er, Herekino 1986, Silkscreen ed. AP, signed lower right, 49 x 38 cm

Day & Son, pub. The Mansion house, 1863, illustrated in the wedding at Windsor, colour lithograph plate 8, 21.5 x 29.5 cm

Douglas Fieldew Pratt, (1900-1972), the Roadside Pool, etching ed. 38/75, signed lower right, 18 x 25 cm

Theophile Alexandre Steinlen, 1859-1923, Retour de Permission + Gares + Calvaire serbe (3), each lithograph ed. EA, 195/400, 88/100, signed lower right (2), each signed in plate, 32.7 x 29.4 cm, 29 x 25 cm, 28 x 44.5 cm

Helen Eager (1952-) Precipice No. 1, lithograph, signed and dated lower right, edition 2/12, 15 x 22 cm, Provenance: Artarmon Galleries, Artarmon

Sydney Ure Smith (1887-1949) 'Old Fisherman's, House Windsor', etching, 33/50, signed lower right and initialed upper left, 12 x 16.5 cm, Provenance: The Sedon Galleries, Melbourne

Sydney Ure Smith (1887-1949) 'Cottage Clarendon', etching, 32/50, signed lower right, 13 x 13 cm

Sheila Sharp, 'Three', aluminium plate etching, edition 6/10, signed lower right, 7 x 7 cm

Elioth Gruner (1882-1939) 'The Cascade', dry point etching, signed lower left, 16.5 x 12.5 cm, with Elioth Gruner, 'The texture of Light' exhibition catalogue 2014, Provenance: Artarmon Galleries, Artarmon 2013

John James Audubon (American, 1785-1851), 'Mallard Duck', chromolithograph by J Bien, visible paper size, 63 cm high, 94 cm wide. Provenance, The Schuster Gallery London from 'Audubon's Birds of America' Catalogue - Item 33

John James Audubon (American, 1785-1851), 'Mallard Egret', chromolithograph by J Bien, visible paper size, 63 cm high, 91 cm wide. Provenance, The Schuster Gallery London from 'Audubon's Birds of America' Catalogue - Item 64

Hugh David Sawrey, (1923-1999), first Time round 1976, Silkscreen ed. 158/200, signed & dated lower right, 47 x 56.5 cm

Sydney Ure Smith, (1887-1949), old Government house, Windsor, etching ed. 23-50 proof, signed lower right, 10 x 15.5 cm

Annelise Wiebkin, Rockhopper Penguin on Kelp 2011, Handcoloured linocut ed. 3/10, signed & dated lower right, 15 x 15 cm

Malcolm Helsby, (1900-), the Railway station from Bank Street, Adelaide 1929 + Lamb Building, Inner temple London 1926 (2), each etching ed. 8/60, 12/55, each signed & dated lower right, 31 x 18 cm, 20 x 9.5 cm

John Charles Goodchild, (1898-1980) Britain, Australia, Adelphi Arches, lithograph ed. 3/18, signed lower right, 26 x 35.5 cm

John Charles Goodchild, (1898-1980) Britain, Australia, the Spit, Sydney 1922, etching, 26.8 x 31 cm

George Marler, (1879-1960), the Conservatorium, etching, signed lower right, 15.5 x 22.7 cm

John Charles Goodchild, (1898 - 1980) Britain, Australia, St Peters Cathedral, Adelaide + St Peter's Cathedral, Adelaide (interior) (2), each etching ed. No.20/50, 22/40, each signed lower right, 15 x 18 cm, 18 x 16.3 cm

Gilbert Thomas Meredith Roach, (1895 - 1972) Australia, red Gums, etching ed. 16, signed lower right, 13.5 x 17 cm

Maxwell Christopher Richard Ragless, (1901-1981), Adelaide Observatory, etching ed. 5/25, signed lower centre, 16 x 11.5 cm

Charles George Bannon, (1919-1993), horses on a beach, Linocut ed. 4/20, signed lower right, 25 x 31 cm

John Charles Goodchild, (1898-1980) Britain, Australia, portrait of James Ashton, etching ed. No. 16/80, signed lower right, 20.5 x 16.5 cm

Gilbert Thomas Meredith Roach, (1895 -1972), the white Road + seven Poplars (2), each etching ed. 18/25, 10/25, each signed lower right, 12.5 x 17 cm, 10 x 13.5 cm

HENRY G. WALKER 'St Paul's From Fleet Street' etching, signed lower right, 26 x 15cm

A pair of English gilt framed steel engravings, depicting children playing, 22 cm x 27 cm (oval including frame)

Peter Hickey (1943-) '1st November' 27/30, etching, signed in pencil lower right, 38cm x 42cm

Peter Hickey (1943-) Forest Landscape A/P, etching, signed in pencil lower right, 50cm x 30cm

Peter Hickey (1943-), River Landscape 4/35, etching, signed in pencil lower right, 30cm x 49cm

Wendy Merrington 'Sydney Glimpses'&'Sydney Moments, screenprints 35/199 & 75/188, signed and inscribed in pencil lower right, 19 x 31.5 cm

Nelsons Last Signal Trafalgar lithograph, approx 43 cm x 60c cm

David Boyd, (1924-2011), song of the Sky 1998 from the suite Reconciliation, an Australian Odyssey, etching, 19 x 25 cm

After Picasso, mother and child 1963, colour lithograph, signed and dated upper left, in plate, 51 x 38 cm

Livingstone (Hop) Hopkins, (1846-1927), Self portrait (head study) 1894 + Self portrait (full figure) + one other Excodus 34:20 (3), etchings late impressions ed. 1/25, one signed and dated in plate, 15 x 10 cm (2) 5 x 4 cm

.