Chinoiserie and lacquer - grandfather clocks
Grandfather clock. More correctly known as longcase clocks. A hooded pendulum clock, housed in a tall enclosed case, about seven feet high. Introduced during the latter part of the 17th century, the longcase clock has remained popular to the present day.
As a general rule, the designs of the clock cases followed the stylistic developments of the past three centuries. Late 17th and early 18th century clocks inspired the cabinetmaker to extraordinary heights in the art of marquetry inlay, very often in the complex and intricate 'seaweed' patterns. Other clocks were lacquered and decorated with gilded chinoiseries. Chippendale's designs followed the prevailing flowing lines of the Rococo, with quantities of scroll work, frets, pagodas, urns and rams' heads. Those of the Neoclassical period showed a return to simpler, straighter lines, often enhanced with panels of well-figured inlay, lines of stringing, swan-neck pediments and brass finials.
The finest clocks were often veneered in walnut or mahogany, but many country clocks made from honest oak have survived. more...
As a general rule, the designs of the clock cases followed the stylistic developments of the past three centuries. Late 17th and early 18th century clocks inspired the cabinetmaker to extraordinary heights in the art of marquetry inlay, very often in the complex and intricate 'seaweed' patterns. Other clocks were lacquered and decorated with gilded chinoiseries. Chippendale's designs followed the prevailing flowing lines of the Rococo, with quantities of scroll work, frets, pagodas, urns and rams' heads. Those of the Neoclassical period showed a return to simpler, straighter lines, often enhanced with panels of well-figured inlay, lines of stringing, swan-neck pediments and brass finials.
The finest clocks were often veneered in walnut or mahogany, but many country clocks made from honest oak have survived. more...
11 item(s) found:
A Chinoiserie longcase clock, Thomas bridge, London, circa 1695, inside count-wheel strike, anchor escapement, brass dial, Roman numerals, date aperture and subsidiary seconds, gilt putti molded spandrels, the dial signed Thomas bridge, Londini, Fecit,…
A late 17th century marquetry inlaid walnut long case clock, Stephen Wilmott, Londini, fecit the square topped hood with ebonised three-quarter columns over a convex throat moulding,…
An early 18th century ebonised long case clock, Joshua Wilson, London,…
A fine William IV mahogany longcase clock, the arched hood surmounted brass finials, a brass dial with chased Chinoiserie decoration and date aperture, twin train movement the trunk enclosed with waist panel door between satinwood banding.
A Chinoiserie long case clock, English, Joshua Hutchin, London, 8-day bell strike movement, inside count wheel strike, matted dial with floral engraving, mask and foliate spandrels, Roman numerals, date aperture, subsidiary seconds dial, glass sides,…
A Chinoiserie longcase clock, English, Charles Pingstone, London, three train musical movement, anchor escapement, music on nine bells, break arch engraved dial, silver chapter ring, Roman numerals, mask and scroll spandrels, wheat sheaf border,…
Longcase Clock, with an arched brass dial by Robert Henderson of Scarbrough in black and gilt Chinoiserie decorated case
A Georgian black Chinoiserie grandfather clock, Thomas Dawes, Northampton, the arched brass dial with four brass corner spandrels and brass chapter ring with Roman and Arabic numerals,…
A longcase clock, Henry Hurt London 8-day bell strike, silent/strike, matted dial, rococo spandrels, Roman numerals, outer minutes ring, caddy hood, case decorated with chinoiserie in shades of gilt on a black background
George II Chinoiserie black lacquer longcase clock by the pre-eminent Northampton clock maker Thomas Dawes, the elegant slender case decorated with Chinoiserie scenes in gilt on a black background,…
Fine Chinoiserie lacquer longcase clock, by John Smorthwaite, Colchester, 18th century with later lacquer
