Beidermeier is the name given to a style of blond-wood furniture and to decorative arts popular in Germany, Austria and Scandinavia between the early and mid 19th century. Popular at the same time as the French Empire style, the Beidermeier design was based on utilitarian principles, and has been described as French Empire style without the flamboyance.
Beidermeier furniture typically has straight or gently curved lines without elaborate carvings and often used classical motifs such as columns, gables, egg and dart and bead and reel. Ornamentations in brass and sometimes inlay were added to enhance the straight lines. Columns or bases, and keyhole escutcheons were sometimes ebonised to contrast with the light-coloured timbers used in construction. Burr veneers were also popular because of their variations in colour and attractive markings.
Biedermeier furniture used timbers that were locally available in Germany and Scandinavia such as walnut, cherry, birch, ash and oak, rather than the more expensive imported timbers such as mahogany. Whilst this timber was available, the taxes applied at import and between states made it too expensive for the Biedermeier market. more...Beidermeier is neither named after a region, a designer or maker, but is a word coined in Germany in the mid 1800's (after the peak manufacturing period of this furniture had passed) to satirise the tastes of the times. It was drawn from a fictional character, Weiland Gottlieb Biedermaier, whose humdrum exploits featured in an 1850s Munich satirical magazine. Bieder' is a German word meaning upright or conventional, while 'Meier' is a common German surname and so in the 1850s the term 'Biedermeier' came to symbolise the middle class, decent, reliable and with lots of common sense.
After the mid-1800s the style declined in popularity, but it underwent a revival in the early 20th century, and again in the 1980s and 1990s.
A Biedermeier mahogany chest, circa 1860s, with a stepped shaped top over six full width cross banded drawers with flame mahogany fronts between chamfered edges and half turned and carved baluster flanking columns, raised on bun feet. Height 151 cm. Width
A Biedermeier flame mahogany marble topped commode, circa 1840, the dark grey marble top above one narrow and three deep full width drawers all within a rolled corner rectangular carcass and mounted on bun feet. Height 101 cm. Width 126 cm. Depth 55 cm
A Biedermeier flame mahogany commode, the rectangular marble top above an arrangement of four long drawers with brass inlaid escutcheons flanked by columnar styles raised on block supports 130 x 104 x 65 cm.
A Biedermeier chest of drawers, 19th century, of good proportion, the rectangular top above four graduated drawers, flanked by two ebonized baluster shaped columns on classic square shaped feet. Width 125 cm. Depth 62 cm. Height 98 cm
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